PANG JING

Performance


Thailand Group improvisation
泰國曼谷即興行為現場

FURNACE (sudden & random)Group Improvisation
熔爐(突發又隨機的)集體即興


Furnace First Group Live Performance 熔爐首場集體即興

CHAN PANG KONG TSANG
陳彭江曾聯合演出


Duo Poetry Performance
詩之行動現場演出


Silent Reading by Red Witch

Orange 20

Tai Yang Kiu

Impermanence • Blue 2023
| Kopf • Zahl | Gung • Zi |

The Fire of Awakening

īris

Collaborative Performance-LOVE

Magical Plants

Under The Wall

Fluidisation and Solidification

The Enlightened Women

THE PERFORMANCE IS HAPPENING:
20 DAYS LIVE

Phase 1: Jing Pang’s Solo -
Performance Card Project

DAY 1 - Limitation & Darkness
DAY 2 - Relation & Repetition
DAY 3 - Space & Readymade
DAY 4 - Nature & Structure
DAY 5 - Speed & Abstraction
DAY 6 - Material & Risk
DAY 7 - Distance & Direction
DAY 8 - Improvisation & Sound
DAY 9 - Gesture & Tension
DAY 10 - Composition & Solitude
Phase 2: Collaboration with Artists
DAY 12 - Siu Fong Yeung

DAY 16 - Wy Lee
DAY 18 - Pang Sir
DAY 19 - Tsang Tse
DAY 20 - YONG
Web

Back-and-forth

Flow [Moving Image]

Flow [Sand Record]
Flow [Photo Ducumentation]

Glass

Walk
Line


paintings & drawings

Bodyscape [Taiwan]

Bodyscape [HK]
First drop
HYS
All the memories are all wet.

performative paintings

Sleepwalking

Self


moving image
Off the ground
Jumping loop
Instant bubble playground

A Love Letter from the Moon

Taking a walk with orangeee
In Between

Installation
Through I
Through II
Through III

wearable art
Crystallization
All about the Five Elements

LIFE MODEL EXPERIENCE
Drawing & Painting

ARTICLE
關於Life Drawing & Modelling
MV

假日貞操 Virgin Vacation-Forest


COMMERCIAL
Calvin Klein:
International Women's Day 
#MYCALVINS campaign
"MY STATEMENT"


MEDIA & PRESS
MINDLY. JOURNAL.

Elle HK Art Talk
Still/Loud
HK01
TVB: Sunday Report
STYLE-TIPS.COM
OLO Magazine
Ming Pao Weekly
紙飛機生活誌
ARTIST BIOGRAPHY & RESUME
contact




In Between / Moving Images / 7m25s / Hong Kong / 2014

My creative artworks focus on wearable art and the exploration of materiality and body. Based on a different theme, I sculpt wearable pieces on human bodies to discover the possibility of various materials, forms, and structures. I wish to create a novel view on the wearable piece that combines fine handcraft techniques with digital technology. The materials I used in every project may not be the same. Yet, they are linked by subject matter that determines the forms and the relations of the artists and the receivers.

I use moving images to work on my wearable piece to investigate the relationship between wearable and unwearable. It is ambitious and yet meaningful to challenge boundaries of “clothing”. The generalized definition of “clothing” is the coverings on human bodies which is touchable in a conventional sense.

The construction of smoke dress defies logic. The exploration between touchable and untouchable, formless and solid, changes and unchanged, illusion and reality.