PANG JING

Performance


Thailand Group improvisation
泰國曼谷即興行為現場

FURNACE (sudden & random)Group Improvisation
熔爐(突發又隨機的)集體即興


Furnace First Group Live Performance 熔爐首場集體即興

CHAN PANG KONG TSANG
陳彭江曾聯合演出


Duo Poetry Performance
詩之行動現場演出


Silent Reading by Red Witch

Orange 20

Tai Yang Kiu

Impermanence • Blue 2023
| Kopf • Zahl | Gung • Zi |

The Fire of Awakening

īris

Collaborative Performance-LOVE

Magical Plants

Under The Wall

Fluidisation and Solidification

The Enlightened Women

THE PERFORMANCE IS HAPPENING:
20 DAYS LIVE

Phase 1: Jing Pang’s Solo -
Performance Card Project

DAY 1 - Limitation & Darkness
DAY 2 - Relation & Repetition
DAY 3 - Space & Readymade
DAY 4 - Nature & Structure
DAY 5 - Speed & Abstraction
DAY 6 - Material & Risk
DAY 7 - Distance & Direction
DAY 8 - Improvisation & Sound
DAY 9 - Gesture & Tension
DAY 10 - Composition & Solitude
Phase 2: Collaboration with Artists
DAY 12 - Siu Fong Yeung

DAY 16 - Wy Lee
DAY 18 - Pang Sir
DAY 19 - Tsang Tse
DAY 20 - YONG
Web

Back-and-forth

Flow [Moving Image]

Flow [Sand Record]
Flow [Photo Ducumentation]

Glass

Walk
Line


paintings & drawings

Bodyscape [Taiwan]

Bodyscape [HK]
First drop
HYS
All the memories are all wet.

performative paintings

Sleepwalking

Self


moving image
Off the ground
Jumping loop
Instant bubble playground

A Love Letter from the Moon

Taking a walk with orangeee
In Between

Installation
Through I
Through II
Through III

wearable art
Crystallization
All about the Five Elements

LIFE MODEL EXPERIENCE
Drawing & Painting

ARTICLE
關於Life Drawing & Modelling
MV

假日貞操 Virgin Vacation-Forest


COMMERCIAL
Calvin Klein:
International Women's Day 
#MYCALVINS campaign
"MY STATEMENT"


MEDIA & PRESS
MINDLY. JOURNAL.

Elle HK Art Talk
Still/Loud
HK01
TVB: Sunday Report
STYLE-TIPS.COM
OLO Magazine
Ming Pao Weekly
紙飛機生活誌
ARTIST BIOGRAPHY & RESUME
contact






Fluidisation and Solidification / Performance / 3 hours / 2022

The performance will take place live and will be marked by a continuous experience of fluidity and impermanence. Plaster is applied to the body in successive layers, and as each new layer is added, the fluid plaster takes on a slight sheen. However, as the body remains motionless, the plaster is able to solidify, and it eventually takes on a matte white appearance. The body transitions from a state of complete stillness to one of movement: the stillness heightens the sensitivity of the five senses and attempts to transform it into a statue of stone; when the plaster becomes matte, the stone will gradually wake up, and the rhythm of movement will cause the solidified plaster to peel off in stages and fall to the ground in fragments.

# Fluidity and Impermanence
Date: 23th July 2022
Time: 13:30-17:30

Photo by @tze.long , Jess @s_ltm

[流態與凝固]
這將會是一個不斷經歷流動與無常的行為現場。物料由流態到凝固:一層又一層的灰塗抹在身體上時,流質的灰會輕微反光,靜止的姿態讓灰慢慢凝固,灰會變成啞面的白色。身體由完全靜態到動態:靜止不動的姿態會讓五感的敏銳度提升,試圖令自身成為石頭的狀態;當灰變成啞面,石頭將漸漸甦醒過來,行動的節奏會讓凝固的灰漸漸剝落
變成碎片掉到地上。

每一次的行為現場都是對自身生理與心理上的挑戰:長時間的;單對單的;面對群眾的;酷熱下的汗水;勞動的艱辛;髒亂的環境。這次的行為現場體驗到的是寒冷。逸東酒店的中央冷氣實在太強,我低估了自己的能耐,在抹上批牆灰的𣊬間,直覺告訴我這是一場意志力的硬戰。當我整個身體覆蓋牆灰時,冷氣就在上方,靜止不動的姿勢,牆灰的冰冷流質狀態,體溫因此迅速下降,身體不由自主地顫抖。我嘗試調整呼吸去控制身體的本能反應,反覆地深呼吸,不果,嘗試另一個方法,任由身體盡情地震動,意志放棄操控身體,embrace the reaction of the body。這時候,我不再感受到寒冷伴隨而來的不適,而成為全然的在。每一次的行為現場完結後,隨時間沉澱,內在自省的啟示自然浮現,所獲得的力量繼續支撐著日常生活中的所有,繼而面對這生命中的無常。