PANG JING

Performance


Thailand Group improvisation
泰國曼谷即興行為現場

FURNACE (sudden & random)Group Improvisation
熔爐(突發又隨機的)集體即興


Furnace First Group Live Performance 熔爐首場集體即興

CHAN PANG KONG TSANG
陳彭江曾聯合演出


Duo Poetry Performance
詩之行動現場演出


Silent Reading by Red Witch

Orange 20

Tai Yang Kiu

Impermanence • Blue 2023
| Kopf • Zahl | Gung • Zi |

The Fire of Awakening

īris

Collaborative Performance-LOVE

Magical Plants

Under The Wall

Fluidisation and Solidification

The Enlightened Women

THE PERFORMANCE IS HAPPENING:
20 DAYS LIVE

Phase 1: Jing Pang’s Solo -
Performance Card Project

DAY 1 - Limitation & Darkness
DAY 2 - Relation & Repetition
DAY 3 - Space & Readymade
DAY 4 - Nature & Structure
DAY 5 - Speed & Abstraction
DAY 6 - Material & Risk
DAY 7 - Distance & Direction
DAY 8 - Improvisation & Sound
DAY 9 - Gesture & Tension
DAY 10 - Composition & Solitude
Phase 2: Collaboration with Artists
DAY 12 - Siu Fong Yeung

DAY 16 - Wy Lee
DAY 18 - Pang Sir
DAY 19 - Tsang Tse
DAY 20 - YONG
Web

Back-and-forth

Flow [Moving Image]

Flow [Sand Record]
Flow [Photo Ducumentation]

Glass

Walk
Line


paintings & drawings

Bodyscape [Taiwan]

Bodyscape [HK]
First drop
HYS
All the memories are all wet.

performative paintings

Sleepwalking

Self


moving image
Off the ground
Jumping loop
Instant bubble playground

A Love Letter from the Moon

Taking a walk with orangeee
In Between

Installation
Through I
Through II
Through III

wearable art
Crystallization
All about the Five Elements

LIFE MODEL EXPERIENCE
Drawing & Painting

ARTICLE
關於Life Drawing & Modelling
MV

假日貞操 Virgin Vacation-Forest


COMMERCIAL
Calvin Klein:
International Women's Day 
#MYCALVINS campaign
"MY STATEMENT"


MEDIA & PRESS
MINDLY. JOURNAL.

Elle HK Art Talk
Still/Loud
HK01
TVB: Sunday Report
STYLE-TIPS.COM
OLO Magazine
Ming Pao Weekly
紙飛機生活誌
ARTIST BIOGRAPHY & RESUME
contact




Collaborative Performance by JING PANG X VIVIAN WONG

[Appropriate Distance]
[適當距離]

Date: 16th Feb 2023
Time: 5-8pm
Location: BASE @_baseperformance
Room 304, Floor 3, Tai Po Arts Centre

Performance statement:
樹冠羞避,樹木即使長的很靠近, 頂端的樹冠枝枒亦互不觸碰遮擋, 明確的邊界就像是森林的一道道河流分支。連理枝,相鄰的兩棵樹隨著在風中不斷生長,相交的枝葉經過長期摩擦,樹皮磨蝕,樹枝相交, 癒合後密接在一起,兩棵樹就此成了生命共同體。

我們嘗試將和彼此的相處濃縮在行為現場中, 同時即時地反應對彼此距離的思考和感受, 展開一場有關關係和連結的實驗。在有限的時間裡嘗試達成共識, 我應該多靠近你, 情感要多直接炙熱, 拒絕要多明確冷漠, 我們的距離應該是多少?



Artist bio:
王穎琳於2000年出生於香港, 對社會文化和權力倫理有濃厚興趣, 主要以融合現場表演和影像藝術等媒介的方式創作。她相信文化是烙印在身體中的, 致力發展以身體出發和敘事性的作品, 從個人身體形象問題延伸到社會政治話題。在香港大學獲得比較文學和香港研究的雙主修文學士學位後, 她目前在香港從事行為藝術創作、舞蹈編作和演出、以及影像創作的工作。
By Vivian WONG Wing Lam's interests in cultural representation and ethics of power, she is an independent creator who dabbles in mixed medium creation, exploring the possibilities created by the interflow of live performance and lens-based art. Wong believes that culture is imprinted in physical existence, which drives the artist dedicated to developing narrative and body-based work, extending from individual physical image issues to socio-political topics. Wong is currently based in Hong Kong as a dancer, performance artist, and video director after obtaining her BA in Comparative Literature and Hong Kong Studies at The University of Hong Kong.