pangjingcreation

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	<title>pangjingcreation</title>
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	<description>pangjingcreation</description>
	<pubDate>Mon, 28 Sep 2026 17:22:03 +0000</pubDate>
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		<title>ARTIST BIOGRAPHY &#38; RESUME</title>
				
		<link>https://pangjingcreation.com/ARTIST-BIOGRAPHY-RESUME</link>

		<pubDate>Sun, 02 Dec 2018 14:12:21 +0000</pubDate>

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		<description>ARTIST BIOGRAPHY &#38;amp; RESUME

彭靖在香港土生土長，於2014年在香港浸會⼤學視覺藝術院取得視覺藝術學位，以及在2022年香港中⽂⼤學取得藝術碩⼠學位。她對身體記憶與感知、關係與連結、未知與風險、土地與植物作為其創作靈感，透過⾏為藝術的創作實踐來探索⾝體與靈性的連結，發掘能⾒者與可⾒者的關係，試圖把不可⾒的內在流動和氣韻呈現眼前。她深信透過藝術家的⾝體經驗及與觀眾的互動，在 ⾏為現場的過程中能揭示深層的⾃我，來觀照不可⾔說的。每⼀次的⾏為現場都是⼀場⾝、 ⼼、靈的內省歷程，遊走於自身與他者；主體與客體；主動與被動；中心與邊緣；限制與自由；過去與現在；開始與終結；生命與死亡；有與無。


彭氏於2016年成立彭彭畫會 (PANG PANG DRAWING CLUB)，致力於推廣人體寫生創作的發展。於2023年成立熔爐 (FURANCE)，香港行為現場實驗室，位於灣仔富德樓，致力推廣行為創作，是個無限創意奇想空間，與不同界別的創作者進行跨界合作，共同發掘感知與被感知的身體經驗與深刻思考。


Born and raised in Hong Kong, Pang Jing received her degree in Visual Arts from the Academy of Visual Arts, Hong Kong Baptist University in 2014 and her MFA from the Chinese University of Hong Kong in 2022. Inspired by physical memory and perception, relationships and connections, the unknown and the risky, the land and its plants, Pang explores the connection between the body and spirituality through performance art, examining the relationship between seeing and being seen. Pang believes that through the artist's own experience and interaction with the audience, she can reveal the deeper self in the process without language. Each performance is a journey of introspection for oneself, one's heart, and one's soul, moving between self and other, subject and object, active and passive, centre and periphery, limitations and freedom, past and present, beginning and end, life and death, and being and not being.


In 2016, PANG founded the PANG PANG DRAWING CLUB, which is dedicated to promoting life drawing development and creativity. In 2023, Pang established FURANCE, a Hong Kong Performance Arts laboratory, which is located in the Foo Tak Building. &#38;nbsp;It is dedicated to promoting the sharing of performance art creativity. It is a space of infinite creativity and whimsy, where cross-boundary collaborations are held with creators of different disciplines to explore the body's experience of sensing and being sensed and profound thinking.


EDUCATION
2020-2022 
Master of Fine Arts, Chinese University of Hong Kong

2011-2014
Bachelor of Arts (Hons) in Visual Arts, Academy of Visual Arts, Hong Kong Baptist University

PERFORMANCE
2026 JUN,&#38;nbsp;[Who are you when you’re not performing?],&#38;nbsp;FURNACE, Wanchai, Hong Kong

2026 APR, [Goldfish Analogue], Performance Art On-site &#38;amp; Exhibition of the Remains,&#38;nbsp;FURNACE, Wanchai, Hong Kong

2026 MAR, [An event that does not pursue harmony but allows deviation and interference to happen] by Huan Yen Chao &#38;amp; Jing Pang,&#38;nbsp;HK X Taiwan Collaborative Performance,&#38;nbsp;FURNACE, Wanchai, Hong Kong
2025 NOV, [STRINGS], UP-ON INTERNATIONAL LIVE ART FESTIVAL, Chengdu, China

2025 AUG, [在場證明 Proof of Presence], 台港行為藝術交流展演 A Taiwan-Hong Kong Performance Art Exchange,&#38;nbsp;Jiang Shan Yi Gai Suo (a.k.a. Jiangshan Art Cafe), Hsinchu, Taiwan

2025 AUG,&#38;nbsp;《身後現場：彭靖與台灣行為藝術交會》系列展演,&#38;nbsp;[台北場次][Performance art in Taipei],&#38;nbsp;Xianqiang Art Collective, New Taipei City, Taiwan

2025 AUG, [Five Elements],&#38;nbsp;[Taiwan × Hong Kong Joint Live Sound Action] by Mia Chen &#38;amp; Jing Pang,&#38;nbsp;Xianqiang Art Collective, New Taipei City, Taiwan
2025 APR. [Cantonese],&#38;nbsp; GUYU ACTION, Xian, China

2025 APR, [Dual existence - action about re-represent painting in reality],&#38;nbsp;Collaborative Performance by Hayson Wong &#38;amp; Jing Pang, FURNACE, Wanchai, Hong Kong

2025 JAN, [Lost in Translation],&#38;nbsp;Sound Improvisation Performance by&#38;nbsp;RAFAEL KALIL,WILSON TSANG,&#38;nbsp;CHAN MEI TUNG,&#38;nbsp;PANG JING,&#38;nbsp;FURNACE, Wanchai, Hong Kong
2024 DEC, [Table for Two], Collaborative Performance by BBB Johannes Deimling &#38;amp; Jing Pang, FURNACE, Wanchai, Hong Kong

2024 DEC, [Pink Thunder], Asiatopia, Bangkok Art &#38;amp; Culture Centre, Bangkok, Thailand

2024 NOV, [Thunder in Jinguashih], Bauguashan Power Art Festival, Taiwan

2024 OCT, [Thunder in Macau], MIPAF: Body Sphere of East Asia, Ox Warehouse, Macau

2024 AUG, [Making Thunderstorms], Happenings organised by Creating Suburb, Cattle Depot Artist Village, To Kwa Wan, Hong Kong

2024 AUG, Group Improvisation, Bangkok, Thailand
2024 MAY, Duo Poetry Performance, FURNACE, Wanchai, Hong Kong.

2024 MAY, [Chan Pang Kwong Tsang], Action X Sound Live Performance, FURNACE, Wanchai, Hong Kong

2024 MAY, Live Group Performance, FURNACE, Wanchai, Hong Kong


2023 JUN, [Tai Yang Kiu: A Summer Solstice Invocation], JING PANG X NICLOE SABELLA, Vienna, Austria 

2023 MAY, [Orange 20], PAS#82, Leipzig, Germany

2023 APR, [The Enlightened Women], Long durational Performance, Booked Art Book Fair, Tai Kwun, Central, Hong Kong 
2023 MAR, [Silent Reading by Red Witch], Mplus Museum, Hong Kong
2023 FEB, [O Shell], Collaborative Performance, JING PANG X WONG SIN, BASE, Tai Po Arts Centre, Hong Kong&#38;nbsp;
2023 FEB, [Appropriate Distance], Collaborative Performance, JING PANG X VIVIAN WONG,  BASE, Tai Po Arts Centre, Hong Kong
2023 JAN, [ïris], 7 Days Performance, iisuArt Space, Sheung Wan, Hong Kong&#38;nbsp;
2022 NOV, [LOVE], Collaborative Performance, JING PANG X KARUNA LEUNG,  BASE, Tai Po Arts Centre, Hong Kong&#38;nbsp;
2022 OCT, [Magical Plants], BASE, Tai Po Arts Centre, Hong Kong&#38;nbsp;
2022 OCT, Group Improvisation, Negative Space, Foo Tax Building, Wan Chai, Hong Kong&#38;nbsp;
2022 SEP, [Power Play], Collaborative Performance, JING PANG X SIU FONG YEUNG, ASHLEY LEUNG, Movement Festival, Eaton HK, Hong Kong 
2022 SEP, [Under the Wall], 10 Chancery Lane Gallery, Central, Hong Kong 


2022 AUG, Group Improvisation, EJAR, Shau Kei Wan, Hong Kong


2022 JUL, [Fluidisation and Solidification],&#38;nbsp;‘Fluidity and Impermanence, Tomorrow Maybe, Eaton Hotel, Jordan, Hong Kong. 


2022 JUN, [The Performance is Happening: 20 Days Live], MFA Graduation Project, various locations 


2021 DEC, [Web], Last Days of Chiron Retrograde, Videotage, Cattle Depot Artist Village, To Kwa Wan, Hong Kong


2021 SEP, [Back &#38;amp; Forth], Entropy: Arrow of Time, 135 YCS, Sham Shui Po, Hong Kong
2021 JUN, [Flow], MFA Year 1 Annual Exhibition, Chinese University of Hong Kong, Cheng Ming Building, Sha Tin, Hong Kong 


EXHIBITION


2026 JUN, [凝結之身 - 十年人體模特兒的歷程：一個關於人體寫生的展覽], [CRYSTALLISED SELF - A Decade of Life Modeling: An Exhibition about Life Drawing],&#38;nbsp;FURNACE, Wanchai, Hong Kong

2024 DEC, [臨時場域遺留物/Remnants of Temporary Sites],&#38;nbsp;Pin-to Livros &#38;amp; Musica, Macau

2022 SEP, [Bodyscape], [The internal wave and the Lily], [Off the ground], HKFOREWORD22, 10 Chancery Lane Gallery, Central, Hong Kong
2022 SEP, [Back-and-forth], LOVE: BACK TO SCHOOL, Koo Ming Kown Exhibition Gallery, Academy of Visual Arts, HKBU, Kowloon Tong, Hong Kong


2022 JUN, [The Performance is Happening: Documentation], MFA Graduation Exhibition, Chinese University of Hong Kong, Cheng Ming Building, Sha Tin, Hong Kong.


2021 JUN, [Flow], MFA Year 1 Annual Exhibition, Chinese University of Hong Kong, Cheng Ming Building, Sha Tin, Hong Kong


2018 JAN, [Bodyscape I], BODYFEST, Foo Tak Building, Wan Chai, Hong Kong


2018 APR, [Bodyscape II], BODYFEST, Artqpie, Taichung, Taiwan


2015 [Positive and Negative], Balance, The Visual Arts Student Society, Academy of Visual Arts, HKBU, Choi Hung, Hong Kong


2014 [In Between], Academy of Visual Arts BA (VA) Graduation Exhibition 2014, Academy of Visual Arts, HKBU, Choi Hung, Hong Kong


2014 [MASK], No Wonder Wandering, VA Glass Exhibition, HKBU, Kowloon Tong, HK


2014 [MASK], Taiwan Hsin-Chu International Glass Festival Exhibition, Glass Museum of Hsinchu City, Hsinchu, Taiwan


2010 [Encountering HKCEE], Academy of Visual Arts, HKBU, Choi Hung, Hong Kong


WORKSHOP[Co-organised]
2024 DEC, [德國藝術家來港行為課 German Artist BBB Johannes Deimling Performance Class in HK], 8 days,&#38;nbsp;FURNACE, Wanchai, Hong Kong

RESIDENCY

2025 AUG, [Performance card in Taiwan Creative Project], Chenghua, Taiwan

2023 MAY, [Tai Yang Kiu]-A Summer Solstice Invocation, Raw Matters, Tozomia, Bears in the Park, Vienna, Austria

MEDIA &#38;amp; PRESS


2024 Be Bold

2023 Mindly Journal, Viu TV

2021 ELLE HK Art Talk, 100 Most, RTHK


2018 Still/Loud, TVB: Sunday Report, STYLE Magazine, OLO Magazine, Ming Pao Weekly, Paperplane


2016 HK01

Commercial Collaboration 
2019 CALVIN KLEIN's regional campaign, MY STATEMENT. #MYCALVINS


Founder of PANG PANG DRAWING CLUB (2016-)
彭彭畫會成立於2016年，每週一次的週末人體寫生畫聚，致力於推廣人體寫生及身體自主之創作，每場都具特別主題，如畫家系列、色彩研究、概念解構等，至今已舉辦過約五百場life drawing session，參加人次約四千至六千人左右。

Founded in 2016, PANG PANG DRAWING CLUB hosts weekly weekend life drawing sessions dedicated to promoting figure drawing and body-autonomous artistic&#38;nbsp;creation. Each session features a specific theme—such as artist spotlights, colour studies, or conceptual deconstruction. To date, the club has hosted around 500 life&#38;nbsp;drawing sessions, drawing approximately 4,000 to 6,000 total participants.


Founder of FURNACE HK (2023-)

熔爐成立於2023年，香港行為現場實驗室，位於灣仔富德樓，致力推廣現場藝術創作，是個無限創意奇想空間，與不同界別的創作者進行跨界合作，開放實驗性的創意計劃，包括行為現場、人體寫生、展覽、繪畫課程、集體即興、形體課程、行為藝術課、駐場交流、季節地攤、快閃店、無法被定義或被命名的創作等，高度鼓勵以過程為主的創作模式，共同發掘感知與被感知的身體經驗，探索生命力、共存與當下之深刻思考。

Founded in 2023 and located in Foo Tak Building, Wan Chai, FURNACE HK is a live performance and action art laboratory based in Hong Kong. We promote&#38;nbsp;live art creation and provide a space for&#38;nbsp;creative imagination, fostering cross-disciplinary collaboration among creators from various fields. The space hosts open,&#38;nbsp;experimental creative projects, including live art/performance art, life drawing, exhibitions, painting courses, collective improvisation, physical theatre courses,&#38;nbsp;performance art workshops, artist residencies, seasonal markets, pop-up shops, and indefinable or uncategorizable creations. It strongly encourages a process-driven creative approach, inviting participants to jointly explore the bodily experience of perceiving and being perceived, while delving into profound reflections on vitality,&#38;nbsp;coexistence, and the present moment.


策劃項目如下 Curated projects include:


詩之行動現場演出 Duo Poetry Performance by Mile &#38;amp; JP
陳彭江曾聯合演出 CHAN PANG KONG TSANG Live Performance by Chan Mei Tung, Jing Pang, Jason Kong, Wilson Tsang
Hennessy Road Summer Night Watercolour Sketching Workshop Mr Tsang Tak-ping X Furnace
FURNACE #3 LIVE PERFORMANCE PRESENTATION [BITE - Waiwai]
FURNACE (sudden &#38;amp; random)Group Improvisation (@chanmeitung/@chillpan104/Sanmu/Jon/@schneeweise/@pang_jing/@king.tsoiiii/@yuenjie_maru/@715joyce)
裝神弄鬼 POP UP STORE Metamorphose: Ethnology of transfiguration by pulima store
FURNACE Summer Gathering
收藏者們的休閒時光收藏品展覽及文化沙⿓ by m.morpheusantique
裝置藝術作品展-純濁之水 by yohji.girl_archive_
老天限定• Phygmus Tang個⼈展覽
德國藝術家來港行為課 German Artist Performance Class in HK - BBB Johannes Deimling X PAS X FURNACE
[Take] 聯展 by Marc &#38;amp; Mac @sangmit_st @fish_tattoo.hk
《身-意象》A Figurative Odyssey by Harvey Chan
Sound Improvisation Performance [LOST IN TRANSLATION] RAFAEL KALIL , WILSON TSANG, CHAN MEI TUNG, PANG JING
[攸關父親]⾏為藝術現場 - 尹浩威
一如雷默”-客賓臨[三代藝術展演] by 蛙王,曾德平,⿈祖兒
FURNACE Lunar New Year Gathering
Post-performance Reset Work-in-Progress Day
姣際朗誦節
Duo Performance- [Sleeping Place] by Pos Dan &#38;amp; Tavin T.
WONG Hayson Solo Exhibition - [Ephemeral]
HAIRY SITUATIONS New moon Residency Exhibition by Anita
DUMPLING WONTON PARTY
Special Event: Art Open Jam
BLINDSPOT Group Improvisation
熔爐圖書館開放日 X 拼貼創意聚
Chinese Fine Brush Painting Workshop
Voice Worksop by Briar Armani
FURNACE Summer Magic Station
Metamorphose: Ethnology of transfiguration 2.0 - [Shamans and spirits]
提拉米蘇甜品派對：Tailor-Made 信
LIVE EXPERIMENTAL PERFORMANCE [Porcupine] by Reggie Yip
Hong Kong Furnace Creative Presentation
茶養心⾝器物⽔彩課-平平⽼師 X 岸本太太課程
Xianqi Dai Valerie Solo Exhibition - [Your Name, My Name]
Furnace Spring ROMANTIC Station
港台聯合行為現場- [彭靖X⿈彥超] (不追求默契，⽽是允許偏差與⼲擾的現場發⽣)
《金⿂Analogue》⾏為現場
[凝結之身] - ⼗年⼈體模特兒的歷程：⼀個關於⼈體寫⽣的展覽
SOLO Performance: [Who are you when you’re not performing?]

Contact information
Website: www.pangjingcreation.com
Email: pangjingcreation@gmail.com
Instagram: pang_jing


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		<title>凝結之身[CRYSTALLISED SELF]</title>
				
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		<pubDate>Fri, 05 Jun 2026 15:23:09 +0000</pubDate>

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[CRYSTALLISED SELF] 
A Decade of Life Modeling: An Exhibition about Life Drawing
Looking back at ten years of life modeling, the body remains frozen in time. Within the safe confines of the studio, we explore the dynamic between the observer and the observed, the artist and the subject. These moments of stillness require immense strength and patience. This exhibition serves as a reflection for both painters and models, featuring works by 50 artists, to be showcased this June at FURNACE.
Curator
Pang Jing &#124; Performance Artist &#124; Life Model &#124; Red Witch
Born and raised in Hong Kong, Pang Jing obtained her Bachelor’s degree from the Academy of Visual Arts, Hong Kong Baptist University in 2014, and her Master of Fine Arts from The Chinese University of Hong Kong in 2022. She has been a life model since 2016. Trained in painting from a young age, she uses Performance Art as a bridge between people—exploring body memory and perception, relationships and connections, the unknown and risk, and the land and its flora—to reveal the deep self and contemplate the unspeakable.

Driven by curiosity to become a life model, this profession has led her to diverse places and introduced her to various artistic communities. Through countless life stories, she has discovered the profound connection between the body, creativity, and humanity. Inwardly, in a state of absolute stillness, her senses are heightened, feeling the flow and rhythm of Qi. Outwardly, she has experienced firsthand society's perceptions and judgments of the naked body, slowly learning how to navigate curiosity, skepticism, and deep inquiry.


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[CRYSTALLISED SELF]

Curator Pang invited art lovers into an intimate exploration of the human form across a four-part life drawing series. The journey began with six brave newcomers taking their debut steps onto the podium, uncovering raw, unfiltered vulnerability. As the series unfolded, six seasoned female and male models brought practiced poise and fluid poise to the space. For the captivating finale, the studio transformed in collaboration with Taiwanese rope shibari artist Noir Fix, weaving form, tension, and line into an extraordinary living sculpture. Every single session drew a captivated full house.
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[凝結之身]十年人體模特兒的歷程：一個關於人體寫生的展覽[CRYSTALLISED SELF]A Decade of Life Modeling: An Exhibition about Life Drawing

(Exhibition statement &#38;amp; concept, please see below)

Painter’s info:
1。 
Christy 小昭 @artist_xiaozhao 

Nomad artist

游牧藝術家


Life drawing is the most natural form of aesthetic illustration to me, pure and non-compromised. It also reflects the desire of instinctive sexuality and the rebellious, intuitive side of myself.

對我而言，人體寫生是最自然的一種美學闡述形式……純粹且不著一絲妥協。它同時也映射出我內心深處，那份出自本能的性慾渴望與反叛直覺。


(非賣品)(Not for sale)


2。

Teiiji @teiijilifedrawing


來自台灣，住在都市叢林，喜歡潛水，擅長運用有水的媒材創作

Hailing from Taiwan and currently living in the urban jungle, they love diving and specialise in creating art with water-based mediums.


人體寫生是模特兒和繪圖者的團體創作，每一次都是當下的創作，無法重來也沒辦法後悔。對我來說人體寫生是讓我可以放肆、放鬆、不需要有任何框架的歡樂創作。
Life drawing is a collaborative creation between the model and the artists; each session is a captured moment in time that can neither be repeated nor regretted. For me, life drawing is a joyful space where I can create freely, relax, and paint without any boundaries or constraints.

售價 Price: HKD$300/each


3。
Jasper Ng Ching Hoi 吳青海 @ng0808
Master of Arts in Design (HK Polytechnic University)
香港理工大學設計學碩士

Living 62 yrs. 

人生七十二載


A practice of the mind. 
尋尋覓覓


售價 Price: HK$1,000/each


4。&#38;amp;17。
Tony Wong @tonysart2012 
(非賣品)(Not for sale)


5。
Evelyn Kourin @eva0_t.h.lam
Evelyn的繪畫靈感來自19世紀藝術，尤其喜愛前拉斐爾畫派。這些作品的情感、故事和對自然的細緻研究，成為她的學習目標。她熱愛復古氛圍，努力以畫筆捕捉那個時代的精髓，並融合自己的想像力，希望創造出獨特的世界觀，帶領觀者進入神秘夢幻的領域。Evelyn的作品曾在多個藝術展覽中展出，並參與各種商業項目，展現她的藝術多樣性與深度。
Evelyn’s artistic inspiration stems from 19th-century art, with a particular fondness for the Pre-Raphaelite Brotherhood. The profound emotions, narratives, and meticulous studies of nature found in these works serve as the guiding light for her studies. Driven by a deep love for vintage aesthetics, she strives to capture the essence of that era with her brush while blending it with her own imagination. Through this, she hopes to create a unique worldview that transports viewers into a mysterious and dreamlike realm. Evelyn’s works have been featured in various art exhibitions and commercial projects, showcasing the diversity and depth of her artistry.


過去，人體寫生對我而言，僅僅是熟練人體結構與造型的必經練習，未曾有過多延伸。直到近期讀了《本質與裸體》一書，書中提到在西方傳統裡，赤裸的人體常被視為真理、神性以及人類『本質』的開顯，這點深深觸動了我。它迫使我重新審視自己面對模特兒時的狀態：當我提起畫筆，我究竟在追求什麼？是摒除雜念的純粹觀察，還是大腦中既定知識的再現？
In the past, life drawing was to me nothing more than a necessary practice to master human anatomy and form—an exercise that rarely extended beyond the technical. It wasn't until recently, when I read The Essence and the Nude, that something deeply resonated with me. The book mentions that in Western tradition, the naked human body is often viewed as the manifestation of truth, divinity, and human 'essence. This revelation compelled me to re-examine my own state of mind when facing a model: when I lift my brush, what exactly am I chasing? Is it a pure observation stripped of all distractions, or is it merely a reproduction of the established knowledge stored in my brain?


售價 Price: HKD$12,000


6。
Ans.C @ans_04
Ans，Plazer Gallery 的創辦人，是本地繪畫藝術工作者及產品設計師。
Ans, the founder of Plazer Gallery, is a local painter, art practitioner, and product designer.

To me, life drawing is a dialogue with one's own perception. Moving fluidly among the model, the medium, and the self, I enter a state of deep focus and meditation between the moments of observing and putting pen to paper. It is within this space that I find my own rhythm and joy.
人體寫生，對我而言，是一種與自身感知的對話。在模特兒、媒介與自我之間流動，於觀察與落筆之間，進入專注與冥想的狀態，並在其中尋找屬於自己的節奏與樂趣。


[虎后] 綜合媒材、水彩紙/原作尺寸 390mm x 540mm
[Tiger Queen] Mix-media in watercolor paper/390mm x 540mm original size


售價 Price: HKD$35,000


7。
Jonathan Sze @jnls.lab
我在2023年夏天開始畫羅丹的雕塑來練習眼手協調，一年後開始畫真人。現在繼續試下各種辦法記錄身體，練習解讀自己畫畫當下的狀態。也會畫建築物和物件，從繪畫的過程了解細節，間中嘗試重新建構繪畫的對象。
I began drawing Rodin's sculptures in the summer of 2023 to practice hand-eye coordination, and transitioned to drawing live models a year later. Now, I continue to explore various ways to document the body, practising how to decipher my own mental state at the exact moment of drawing. I also sketch buildings and objects, using the process to understand their fine details, and occasionally attempting to deconstruct and rebuild the subjects I draw.


人體寫生是用筆記錄模特兒的身體來回應他的表達，作品又會自動記錄自己當下的心情和想像，過程也有默想那種療癒效果，整個事情禪禪地好有意思。我常提自己不是要像相機記錄身體，畫得準又未必反映真實，腦裡面的真實其實是主觀的，因為感知會被環境影響；工具和技巧又有限，經常去畫畫的時候又沒有帶筆。但限制在創作是必要的，因為價值在於面對限制的手法。
To me, life drawing is using a pen to document the model's body as a response to their expression. In turn, the artwork automatically records my own mood and imagination at that very moment. The process itself carries a meditative, therapeutic effect—the whole experience feels quite Zen and meaningful. I often remind myself that I am not a camera meant to merely document the body; drawing with absolute precision doesn't necessarily reflect reality. The 'reality' in our minds is entirely subjective, constantly shaped by our environment and perception. Our tools and techniques are naturally limited—heck, I often turn up to drawing sessions having forgotten to bring a pen! Yet, limitation is vital to creation because the true value lies in how we choose to confront those limitations.


售價 Price: [2026-04-12-B4] HKD$600


8。
May @yao_may_drawMay Hung is an 18-year-old artist based in Hong Kong, captivated by the beauty of humanity and the subtle connections that bind people together. Her work centers on the human form, exploring its grace, diversity, and the stories that reside within each individual. 
May Hung 是一位現居香港的 18 歲藝術家，她深受人類之美以及人與人之間微妙連結所吸引。她的作品以人體為中心，探索人體的優雅、多元性，以及每個人背後隱藏的故事。
For me, figure drawing is a profound means of exploration. Through the canvas, I seek to explore both my own body and the bodies of others, discovering the unique stories, emotions, and vulnerabilities they hold. It goes beyond mere anatomy; it is about capturing the raw essence of human existence. This practice allows me to appreciate diversity, break down societal inhibitions, and connect with humanity on a deeper, more intimate level. Ultimately, drawing the human form is a journey of self-discovery and a way to celebrate the pure beauty of our shared physical reality.
對我而言，人體素描是一種深刻的探索方式。透過畫布，我試圖探索自己與他人的身體，並發掘其中所蘊含的獨特故事、情感與脆弱。這不僅僅是關於解剖學，更是為了捕捉人類生存最純粹的本質。這種實踐讓我能夠欣賞多元性、打破社會禁忌，並在更深、更親密的層面上與人類建立連結。歸根結底，描繪人體是一場自我發現的旅程，也是一種讚美我們共同擁有的真實肉體之美的方式。

(非賣品)(Not for sale)


9。
Simon A Shingleton @simon_a_shingleton
(作品售價待定)(Price to be confirmed)


10。
William Chiang @williamchiang.art
畫家,Two Parts Studio創辦人

Painter and founder of Two Parts Studio.

人體是畫家必須面對主題,人體複雜多變,人體寫生一向是掌握處理人體表現最有效練習。
The human body is a subject that every painter must confront. Complex and ever-changing, life drawing has always been the most effective practice for mastering and handling the expression of the human form.


售價 Price: HKD$800


11。
CHAN PENG HOU 陳炳豪 
澳門一個繪畫愛好者，喜畫風景，也畫人，更喜畫人體。

An art enthusiast based in Macau who loves painting landscapes, people, and especially the human form.

人體本身就是一件藝術品，優美的人體曲線，比例，各角度下的透視都呈現不同的美感。寫生可以訓練畫者的觀察力，手眼協調能力。是繪畫非常好的培訓方式。
The human body is an artwork in its own right. Its graceful curves, proportions, and the perspective from different angles all reveal a unique aesthetic beauty. Life drawing trains an artist's power of observation and hand-eye coordination, making it an excellent way to practice and hone one's painting skills.


售價 Price: HK$1000/each


12。
Mark Law @marklawstillhere 
羅家洋 1979年出生於香港。他自90年代開始習畫，及後從事藝術創作，其作品媒介主要為素描、油彩及雕塑。2019年於香港創立「Antenna art studio 畫室」。羅氏早期創作著重社會議題，期後透過寫生觀察，捕捉內在的灰暗並以具象及寫實呈現人類共性的精神。2010年起，羅氏致力於繪畫藝術發展，徘徊於寫實及具象之間，其作品曾於澳洲、日本、中國及香港展出。
Mark Law was born in Hong Kong in 1979. He began studying drawing and painting in the 1990s and subsequently pursued a career in artistic creation, working primarily in drawing, oil painting, and sculpture. In 2019, he founded "Antenna Art Studio" in Hong Kong. While Law's early work focused on social issues, his later creations evolved through sketching and live observation, capturing inner darkness to present the universal human spirit through figurative and realistic forms. Since 2010, Law has dedicated himself to the development of painting as an art form, navigating the space between realism and figurative art. His works have been exhibited in Australia, Japan, China, and Hong Kong.


對我來說是畫家的修練場，是幫助畫家「觀察」和「傳譯」的訓練，而人體是自然界中最複雜、最嚴謹的線條，基於人類共性的關係，也是最富有情感細節投射。
To me, life drawing is a training ground for the artist; it is an exercise that helps the artist 'observe' and 'interpret.' The human body possesses the most complex and rigorous lines found in nature, and because of our shared human nature, it is also the ultimate canvas for projecting the finest emotional details.

(非賣品)(Not for sale)


13。
Mr Wong from Taiwan (來自台灣的黃先生）(非賣品)(Not for sale)


14。
Joshua Foo @foohaus(非賣品)(Not for sale)


15。
Cheng Mui Liu 廖井梅@chengmuiliu (非賣品)(Not for sale)


16。
Harvey Chan @harveychanart (非賣品)(Not for sale)
Harvey Chan was born in Hong Kong. After graduating from the OCAD University in Toronto, he established his career as a professional illustrator before expanding his practice into art education. Over the years, Harvey has created numerous designs for the Royal Canadian Mint, including two series of Chinese Zodiac coin designs.His acclaimed work in children’s book illustration has earned multiple awards and recognitions, including being shortlisted for the Governor General’s Literary Awards for Ghost Train by Paul Yee. Harvey has also shared his expertise as an educator at his alma mater, OCAD University, as well as at Sheridan College and the Toronto School of Art.In 2011, Harvey returned to Hong Kong and founded Art For Life Studio, his own studio and art school. During this period, he developed his expressive human portrait series, Speaking Faces, which explored the emotional complexity and silent narratives embedded within human expression.Now based in Vancouver, Harvey continues to expand his personal and commissioned artistic practice while teaching at both private and public art institutions.

Harvey Chan出生於香港。自多倫多安大略藝術設計大學（OCAD University）畢業後，他先以專業插畫家的身份展開職業生涯，隨後將其藝術實踐擴展至藝術教育领域。多年來，Harvey 為加拿大皇家造幣廠（Royal Canadian Mint）創作了無數設計，其中包括兩套生肖系列紀念幣。他在童書插畫領域的作品廣受好評並屢獲殊榮，其中為保羅·葉（Paul Yee）所著《鬼列車》（Ghost Train）繪製的插畫更入圍了加拿大總督文學獎（Governor General's Literary Awards）。此外，Harvey 還曾回到母校安大略藝術設計大學，以及雪爾頓學院（Sheridan College）和多倫多藝術學院（Toronto School of Art）任教，分享他的專業知識。2011 年，Harvey 返回香港並創立了個人工作室兼藝術學校「生活藝術學堂（Art For Life Studio）」。在此期間，他創作了充滿表現力的人像系列作品《會說話的面孔》（Speaking Faces），探索人類面部表情中所蘊含的複雜情感與無聲敘事。如今，Harvey 定居於溫哥華，在私立與公立藝術機構任教的同時，繼續拓展他個人和受託演繹的藝術創作。

Life drawing is my laboratory of observation and expression. Each model offers a unique encounter, inviting me to explore how line, shape, value, colour, and design can translate a fleeting visual experience into a personal artistic response. The immediacy of the live session demands complete attention, fostering a heightened state of concentration where intuition and observation become one. Beyond the act of drawing itself, I treasure the shared experience of working alongside other artists, united by the timeless pursuit of understanding the human figure through art.

人體寫生是我觀察與表達的實驗室。每位模特兒都是一次獨特的邂逅，引導我去探索如何透過線條、形狀、明暗、色彩與設計，將轉瞬即逝的視覺體驗轉化為個人的藝術回應。現場寫生的即時性需要全神貫注，這促使我進入一種高度集中的狀態，讓直覺與觀察融為一體。除了繪畫本身，我也非常珍視與其他藝術家並肩創作的共同體驗，大家為了同一個永恆的追求而凝聚在一起——那就是透過藝術去理解人體。

18。
Jesse Mc Lin @jesse_Mc_Lin

Jesse’s paintings and sculptures have been exhibited at Ilivetomorrow Gallery, Amelia Johnson Gallery and Blue Lotus Gallery, and in group exhibitions in China and South Korea and can be found in private collections worldwide. His ceramic work is held in numerous collections such as M+ Museum (HK), The HK Palace Museum (HK), K11 Art Foundation.
Jesse 的畫作與雕塑作品曾於 Ilivetomorrow 畫廊、Amelia Johnson 畫廊及 Blue Lotus 畫廊展出，亦曾參與在中國和南韓的聯展，其作品更被全球各地的私人收藏家所收藏。他的陶瓷作品亦被多個機構收藏，其中包括 M+ 視覺文化博物館（香港）、香港故宮文化博物館（香港）以及 K11 Art Foundation。

www.jessemclin.com 


I have continually done life drawing since age 10, for me life drawing is a way to practice seeing. i want to see the world and it can take practice to do that. how a simple line is drawn can tell a story of how you see and what you see and how you feel about it. some people go to a gym to work out their body, i go to life drawing to work out my eye, brain and hand. 
我從 10 歲起就一直堅持進行人體素描（Life drawing）。對我而言，人體素描是一種練習『觀看』的方式。我想真正地去觀看這個世界，而這需要透過練習才能做到。一條簡單的線條如何被勾勒出來，就能訴說一個故事——關於你如何觀看、你看到了什麼，以及你對此有何感受。有些人去健身房鍛鍊身體，而我來畫人體素描，則是為了鍛鍊我的眼睛、大腦與雙手。

(非賣品)(Not for sale)


19。
Chris Tu @secondlife04 
With a background in product design, they are now a slasher.
產品設計出身，現在是Slasher. 


慾望的反映；人生中美好的一頁。
A reflection of desire; a beautiful chapter in life.

Price: HKD$2000 [與model 平分，及全數捐給受火災影響的外傭 https://www.instagram.com/missionformigrants_hk]


20。
Nic Chan @nicnixniks 
Nic Chan is a professional web developer and hobbyist painter with a particular interest in life drawing and plein air. 
Nic Chan 是一位專業的網頁開發者，也是一位業餘畫家。他對人體寫生和戶外寫生（外光畫派）特別感興趣。


To me, life drawing is a precious opportunity to enjoy the embodied experience. It is a choice to step away from a screen and observe the subtleties of color, light and movement that cannot be replicated in a photograph.
對我來說，人體寫生是一個享受切身體驗的珍貴機會。這是一個讓我離開螢幕的選擇，去觀察那些無法在照片中複製的色彩、光線與動作的細微變化


售價 Price: HKD$300


21。
KS @kahsone
有時創作的偽術家 
An occasional artist of pseudo-art.


人體寫生是一種學習觀察的方式
Life drawing is a way to learn how to observe.


售價: 自由定價
Price: Pay what you want (Free pricing)


22。
Bella Tam Soi Teng 談瑞婷 @bellalelula
寫字和拍照的人。
成長於澳門，於大學時期主修英語文學。 
作品經常藉由影像連結個體的私密性，以意識流的詩性描述對生死的理解。影像能夠把一切所見和不所見之物納入其中，深信一切皆有其語言，而在作品中嘗試打開物與物之間對話的可能性。
A writer and photographer.
Raised in Macau, they majored in English Literature during their university years. Her work frequently connects individual intimacy through imagery, employing a stream-of-consciousness, poetic style to explore the understanding of life and death. Believing that images can encompass all that is seen and unseen, and deeply convinced that everything possesses its own language, they attempt to open up possibilities for dialogue between objects within her work.


我和靖的相識始於一堂人體寫生課。在畫室內，我執筆，她靜立，對我那說那不是單純肉身的赤裸，而是直白的面對兩個身體可以連結的深度。我把她當時的狀態用鉛畫勾勒到了紙上，到後來我用相機拍她，就算媒介不同，我們每個人都帶著許多投射來觀看世界，你可以看肉身是肉身，或者只不過是陰影與線條，用你選擇的物件來承載你所看到的。身體不會說謊，而你的大腦會，在寫生的過程中便是打開一條內在的通道，面對同樣只得一個肉身的人，我們可以有多誠實面對自己。
My acquaintance with Jing began in a life drawing class. Inside the studio, I held the pencil while she stood still. To me, that was not merely the nakedness of the physical form, but a confrontation with the depth to which two bodies can connect. I sketched her state at that moment onto paper with graphite. Later, I photographed her. Even though the media differed, each of us navigates the world with numerous projections. You can view the physical body simply as a body, or merely as a play of shadows and lines—using your chosen medium to carry what you perceive.
The body does not lie, but the mind does. The process of life drawing opens an internal pathway: facing another person who also possesses but a single physical form, how honest can we truly be with ourselves?


Price: B&#38;amp;W sliver gelatin printsHKD $2800/each
(painting not for sale)


23。
Kwai Bun 桂濱 @kwai_bun @kwaibun.art&#38;nbsp; (非賣品)(Not for sale)

24。
Andrey Szeto @andreyszeto
遊戲概念設計師 · 3D藝術家 · 人物素描愛好者 
一名專注於設計場景、角色與道具，打造沉浸式遊戲世界的設計師。閒暇時喜歡透過人物素描持續精進技巧，並與藝術同好交流靈感。
Game Concept Designer · 3D Artist · Figure Drawing Enthusiast
A designer focus on crafting environments, characters, and props for immersive video game worlds. In my free time, I pursue figure drawing to refine my skills and connect with fellow artists.


人物素描一直是我藝術旅程中的基石。從大學時期開始，它不僅培養了我的觀察力與基本功，更逐漸成為一種社交活動，讓我結識志同道合的朋友、來自不同背景的模特，以及啟發人心的老師。如今作為概念設計師與3D藝術家，雖然工作繁忙、私人創作時間有限，但參加人物素描課讓我重新找回最初的熱情，單純為了熱愛而創作。我的作品見證了這段旅程，也希望能提醒觀者擁抱自己的熱情，投入能帶來真正喜悅的事物。
Figure drawing has been a cornerstone of my artistic journey, beginning in college as the foundation for observation and fundamental skills, then evolving into a social practice that connected me with fellow artists, diverse models, and inspiring instructors. Though my career as a concept designer and 3D artist leaves little time for personal drawing, attending figure drawing sessions rekindles the spark that first drew me to art, allowing me to return to my roots and create purely for the love of it. My drawings stand as testimony to this journey, reminding viewers to embrace their passions and pursue activities that bring them genuine joy.


售價 Price: HKD$1,000/each


25。
Fung Kin Fan @fungkinfan
健是一位室內設計師，年少時曾於山月畫室習畫，學習素描、水彩和西洋畫理論。他在工餘時間創作漫畫和水彩畫，喜歡描寫生活中人物的動態，並熱愛隨身攜帶畫筆去旅行。
Kin is an interior designer who studied drawing, watercolor, and Western art theory at the Sun Moon Art Studio during his youth. In his spare time, he creates comics and watercolor paintings. He loves capturing the dynamic movements of people in everyday life and always enjoys traveling with his paintbrushes in hand.


自小就很喜歡畫人，不論頭像、體型、動作，甚至是服飾配置，總之同人有關的，我都喜歡畫下來。而lifedrawing就是練習描繪人體最好的方式。任何性別、身型體態、姿勢動作、都會自帶著一種美，甚至當刻的模特兒的情緒、身上展現的肌肉都盛載著故事。短pose的幾分鐘，或是長pose的幾小時， 只要誠誠實實畫下來，當刻的故事就會分成兩個附件，一個收藏在畫紙上，一個收藏在記憶中。


I have loved drawing people ever since I was a child. Whether it's a portrait, body shape, movement, or even the outfit and accessories—as long as it's related to people, I love to sketch it down. Life drawing is the absolute best way to practice depicting the human body. Any gender, body shape, or pose carries its own inherent beauty. Even the model's emotions at that very moment and the definition of their muscles hold a story. Whether it is a quick few-minute pose or a long multi-hour session, as long as I draw it with absolute honesty, the story of that moment splits into two keepsakes: one preserved on the drawing paper, and the other tucked away in my memory.


(非賣品)(Not for sale)


26。
Alex ANZOLA JÜRGENSON@alexj_nitrogecko @__takomono___
Alex has been an avid creator and artist since his early years. He started doing life drawing after coming to HK in 2003, after joining lessons in HKUSpace and later the sessions conducted by Philippe in Wan Chai. His current style focuses on small but detailed drawings drawn directly in pen and ink, or in detailes digital artwork.
Alex自幼便是一位熱衷於創作的藝術家。他於 2003 年來到香港後開始接觸人體素描（Life drawing），起初參加了香港大學專業進修學院（HKU SPACE）的課程，隨後參與了 Philippe 在灣仔主辦的素描聚會。他目前的創作風格專注於小型但細緻的線條畫，直接以鋼筆與墨水勾勒，或是呈現於細膩的數位藝術作品中。

Life drawing is a relaxing and meditative experience for me. There are no two human bodies are the same, and even with the same model, each new pose can reveal wonderful new details. I enjoy the simple act of observing, drinking in all details, before choosing which ones to commit to paper. It is a silent dialogue with the model, a subtle attempt to guess their intention with each pose and trying to reflect that in a simple medium. Each drawing is a snapshot of a respectful yet intimate conversation.


對我而言，人體素描是一種讓人放鬆且具冥想性質的體驗。世上沒有哪兩個人的身體是完全相同的，即使是面對同一位模特兒，每一個全新的姿勢都可能隱藏著令人驚奇的新細節。我享受純粹去觀察、沉浸在所有細節中的過程，然後才決定將哪些部分留在紙上。這是一場與模特兒之間的無聲對話——微妙地去捕捉他們在每個姿勢背後的意圖，並試圖用簡單的媒介將其呈現出來。每一幅畫作，都是一段既充滿尊重又親密的對話縮影。


Price: Pay what you can, but a minimum of HKD100 would be appreciated.
售價：隨緣樂助，但若能慷慨解囊最少HKD 100，將不勝感激。


27。
Yoko Amada @yokoamada 
I’m Japanese but moved to Hong Kong for my Malaysian-Australian husband's job from Brisbane. Met Jing Pang in 2018 and started life drawing 
我是日本人，因為我那擁有馬來西亞與澳洲雙重國籍的丈夫工作異動，我們從布里斯本搬到了香港。我在 2018 年結識了彭靖（Jing Pang），並從那時起開始接觸人體素描。


Fell like it is a drawing of the moment of 一期一会of the model as thar moment will never come back 
我覺得這是在勾勒模特兒生命中『一期一會』的瞬間，因為那一刻的光景將永遠不會再重來。

Price: [Please ask the host]


28。
Wong Ka Long 黃家龍 
1977年生於葡屬澳門，1996年考入中國廣州美術學院雕塑系，2003年取得相應碩士學位。創作上以澳門出生地的視覺，對歷史現場之中，東西文化交融與碰撞，留下很多想像。多年來從事藝術教育及雕塑創作。
Born in Portuguese Macau in 1977, they were admitted to the Sculpture Department of the Guangzhou Academy of Fine Arts in China in 1996, and obtained their Master’s degree there in 2003. Through the visual perspective of their birthplace, Macau, their creations leave ample room for imagination regarding the fusion and collision of Eastern and Western cultures within historical contexts. They have been engaged in art education and sculpture creation for many years.


對我來說，寫生是一種透過畫具、在當下最純粹專注地與現場互動的表達形式。寫生的題材繁多，回想過去接受雕塑訓練的時光，課程中一直備受推崇的，便是對人體結構起伏、體積曲線變化、膚色轉變，以及人物精神狀態的精準捕捉。這次有幸與彭小姐合作，透過她對自身體態的細膩拿捏，讓我得以重新連結當初創作人體藝術時的深刻感受。


To me, life drawing is a form of expression that uses drawing tools to engage with the immediate environment in the purest and most focused state of mind. While the subjects of life drawing are vast and varied, looking back at my years of sculpture training, what was always most highly esteemed in the curriculum was the precise capture of the human body's structural contours, volumetric curves, skin tone shifts, and the psychological state of the subject. I am privileged to collaborate with Miss Pang this time. Through her subtle and nuanced control over her own physical form, I have been able to reconnect with the profound sensations I experienced when I first began creating figurative art.


售價 Price: HKD$4500

29。Cindy @thatcwy (非賣品)(Not for sale)


30。
Ro / Sauntres @sauntre.s
曾經夢想成為百合漫畫家，現在依然sidequest中。
Dreamed of becoming a tumblr-famous queer graphic novelist. Still sidequesting. 

起初以為繪畫是孤獨的修行，但人體寫生讓我體驗到群體創作的樂趣。我不但結識了志同道合的繪師，更見識到各種獨特的畫風。對我而言，人體寫生的過程中，畫家將精神悉數匯聚在模特兒身上，力求捕捉每一處細節與神態。畫作雖是畫家觀察他人的紀錄，卻也是他人洞悉畫家觀察重點、甚至是價值觀的途徑。赤裸的是體模，還是繪師呢？
I used to see drawing as a solo act, but life drawing sessions have transformed it into a social one. Without these gatherings, I never would have encountered such a diverse community of artists, each bringing a their own unique vision. In the studio, every gaze is fixed on capturing the fleeting essence of a pose. Yet, while the artist is the one observing, the resulting work allows the world to observe them; ultimately, the nude model may not be the most vulnerable individual in the room.

(作品售價待定)(Price to be confirmed)


31。
Brian Chan 陳浩賢


1985年生於香港。2009年畢業於加拿大多倫多約克大學，主修美術系。2010年於加拿大聖力嘉學院取得3D動畫學士後文憑。2011定居於澳門。2017年起跟隨澳門藝術家李英維先生研習油畫至今。
Born in Hong Kong in 1985, they graduated from York University in Toronto, Canada, in 2009, majoring in Fine Arts. In 2010, they obtained a Post-Graduate Certificate in 3D Animation from Seneca College in Canada. They settled in Macau in 2011. Since 2017, they have been studying oil painting under the guidance of Macau artist Mr. Ieong Wai Lee.


我認為人體寫生是記載人體美學嘅過程。記載的不但是體態、結構、面相等表徵，還有在作畫過程中與模特兒的互動，所得住出的感受；靈魂的共振。將這段過程記錄下來，所得出的便是藝術的本質：通過圖像去表達人於人之間的交流，鑽研及尋找人性的其中一個渠道。
I believe that life drawing is a process of documenting the aesthetics of the human form. What is recorded is not merely superficial traits like posture, structure, or facial features, but also the interactions with the model during the creative process and the resulting sensations—a resonance of souls. Documenting this process captures the very essence of art: expressing human connection through imagery, and serving as a channel to study and search for humanity.


售價 Price: HKD$300 


32。(TO BE CONFIRMED)


33。
Ada Chui @mola_larte
Ada Chui is a self-taught painter based in Hong Kong, drawing inspiration from travel, local culture, and the subtle beauty of everyday moments. She shares her time between Hong Kong and France. Without formal fine arts training, she has cultivated her voice through dedicated exploration of color, composition, and diverse media—including watercolor, acrylic, digital tools, and sketching—supplemented by private classes with various artists.
Ada Chui 是一位定居香港的自學畫家，她的靈感源自旅遊、在地文化以及日常生活中那些細微的美好瞬間。她的生活軌跡往返於香港與法國兩地。在沒有接受過正式純美術訓練的情況下，她透過對色彩、構圖及多種媒介（包括水彩、壓克力、數位工具和素描）的專注探索，並輔以向不同藝術家請教的私人課程，逐漸建立起自己獨特的藝術語言。


We inhabit our bodies from the very beginning, yet they remain strangely taboo. Outside intimacy, we rarely have the chance to truly observe them. To me, every body is sacred—worthy of admiration in all its forms, shapes, and curves. Life figure drawing gives me the opportunity to study human forms.
我們從生命伊始就居住在自己的身體裡，然而身體卻依然奇妙地被視為一種禁忌。除了親密關係之外，我們鮮少有機會去真正地觀察它。對我而言，每一個身體都是神聖的——無論其呈現出何種形態、身型與曲線，都值得被欣賞。人體素描給予了我一個深入研究人類形態的珍貴機會。


售價 Price: HKD$500


34。
Chao Harn Kae 曹涵凱 @chao_hk&#38;nbsp; @yiu_studio_studio
曹涵凱出生於馬來西亞，主修純美術科，由2004年開始定居於香港。曾擔任多個主題公園雕塑師及藝術總監。活躍於香港社區藝術活動，公共藝術及跨領域的合作展覽。他的作品探討人生百態及真理，富有靜水流深的力量，令人印象深刻。作品並獲香港藝術館，香港地鐵站及各界收藏，24年進入嘉德香港拍賣會。
Chao Harn Kae was born in Malaysia, where he majored in Fine Arts, and has been based in Hong Kong since 2004. He has served as a sculptor and art director for several major theme parks, and actively participates in Hong Kong's community art initiatives, public art projects, and cross-disciplinary collaborative exhibitions. Characterized by a profound, "still waters run deep" intensity, his work explores the diverse facets of human life and truth, leaving a lasting impression on viewers. His pieces are held in various prestigious collections, including the Hong Kong Museum of Art, MTR stations, and numerous private collections, and his work debuted at China Guardian Hong Kong Auctions in 2024.


人體雕塑寫生對我來講係認識藝術的根基。無論藝術發展到如何都要由根基做好先。
To me, life sculpting is the very foundation of understanding art. No matter how art evolves, one must always start by mastering the fundamentals.


售價: [人像:HKD$20000] [人體:HKD$15000]
Price: [Portrait Sculpture HKD$20,000] [Figure Sculpture:HKD$15,000]


35。
Charlotte @moving_drawing &#38;amp; @bodydrawing 
雷焯諾 ( Charlotte Lui )，香港本地畫家，2019年畢業於香港浸會大學視覺藝術學院，主修繪畫和版畫。於2021年創立「Moving Drawing」，透過觀察香港街道的人和事，記錄在畫作中。她游走於香港大街小巷寫生，時常帶一本掌形小畫簿隨心所欲作畫，以簡單線條刻畫出現實的寫照，表現出城市人的忙碌、上班族的苦悶與銀髮族的休閑。 她寄語大家把每天當作「今天是最好一天」，並活好每一天。她透過作品繪畫城市的轉變，讓大家將香港的生活點滴帶到其他地方回味。

Charlotte Lui (Lui Cheuk-Nok) is a Hong Kong-based painter who graduated from the Academy of Visual Arts at Hong Kong Baptist University in 2019, majoring in painting and printmaking. In 2021, she founded "Moving Drawing," a project dedicated to capturing the people and everyday stories of Hong Kong's streets through art. Wandering through the city’s bustling main streets and quiet alleys to sketch, she often carries a palm-sized sketchbook to draw freely, using simple lines to etch vivid snapshots of reality—depicting the hustle of city dwellers, the weariness of office workers, and the leisure of the elderly. Her message to everyone is to cherish each day as "today is the best day" and to live life to the fullest. Through her work, she documents the changing face of the city, allowing people to carry the memory of Hong Kong’s daily moments wherever they go.

在開始畫Moving Drawing 前，人體寫生是我很好的練習，讓我熟習人體的動作，每位模特兒是我的老師，讓我現在於城市繪畫人像更得心應手。
Before I started 'Moving Drawing,' life drawing served as an excellent practice that allowed me to become deeply familiar with human movement. Every model has been my teacher, making it much more natural and effortless for me to sketch portraits on the city streets today.


售價 Price: HKD 1,500/each

36。
Ron To @ronarthk 
本地創作者，希望能以不同素材捕捉人體與空間的流動關係。喜歡透過觀察細節，將心思投射於畫紙之上。
A local creator who seeks to capture the fluid relationship between the human body and space using a variety of mediums. By observing subtle details, they love projecting their inner thoughts and emotions onto the drawing paper.


對我來說，人體寫生是一場當下的觀察當下的對話。是在有限的時間內捕捉曲線，光影交織出的生命與美好。
To me, life drawing is a conversation rooted entirely in the present moment. It is about capturing the curves, light, and shadows as they intertwine within a limited frame of time, revealing the inherent life and beauty of the form."

(作品售價待定)(Price to be confirmed)

37。
Tsang Tak Ping 曾德平 @kithtsang 


從大學副教授退任後，把生活作道場，集老師、農夫和藝術家於一身的生活行者。

A practitioner of mindful living who, after retiring as a university associate professor, has turned daily life into a spiritual sanctuary, embodying the roles of teacher, farmer, and artist all at once.

人體寫生是呈現生命力的繪畫。意義一如所有生命在世界上留下的痕跡那樣短暫。
Life drawing is a form of painting that manifests the vitality of life. Its significance is as fleeting as the traces left behind by all living things in this world.

(非賣品)(Not for sale)
38。FFF @code.3F (非賣品)(Not for sale)


39。
Corbeau / Yiu Kam Leung
一個什麼畫都喜歡的畫框製作者
A picture framer who simply loves all kinds of art.


覺美感，隨心而畫矣
To perceive beauty and just paint from the heart.


(非賣品)(Not for sale)
40。

Wilson Tsang @wilson3868


&#60;img width="3375" height="4219" width_o="3375" height_o="4219" data-src="https://freight.cargo.site/t/original/i/5695868d842996a8cb528f087befdc79f8927d393c4dbb5011cf85aa84a95f8f/2026.jpg" data-mid="249158160" border="0"  src="https://freight.cargo.site/w/1000/i/5695868d842996a8cb528f087befdc79f8927d393c4dbb5011cf85aa84a95f8f/2026.jpg" /&#62;凝結之身
十年人體模特兒的歷程：一個關於人體寫生的展覽
回看這十年的模特兒的工作，身體凝結在時間中，在畫室的安全範圍內，觀看與被觀看的關係，描繪與被描繪的對象，靜止不動的𣊬間需要更大的力氣與耐心，作為畫者與被畫者的反思，集合了五十位畫家的作品，將於六月展示在熔爐。
[展覽開放資訊]
日期：2026年6月6-28
時間：14:00-19:00 (星期一至二休館)
地點：@performance_art_furnace_hk香港灣仔軒尼詩道367號富德樓9樓熔爐報名詳情：https://forms.gle/RGvLP3rhHdkYR5kE6
策劃者
彭靖｜行為人｜人體寫生模特兒｜紅魔女彭靖
在香港土生土長，於2014年在香港浸會⼤學視覺藝術院取得視覺藝術學位，2022年香港中⽂⼤學取得藝術碩⼠學位。自2016年開始當人體寫生模特兒，自少習畫，以Performance Art為聯繫人間之橋，探索身體記憶與感知、關係與連結、未知與風險、土地與植物，揭示深層⾃我，來觀照不可⾔說的。因好奇心成為了人體寫生模特兒，這工作引領她到訪不同的地方，認識各種各樣的畫畫群體，聽了很多有趣味的生活故事，發掘到身體、創作與人的關係。向內，在靜止不動的狀態中，感官倍增地放大，感受到關於氣的流動與節奏。向外，確切地體驗到人們對裸露的肉身之評價與感受，緩慢地學習如何應對各式各樣的好奇提問、質疑與思考。
[節目時間表] 
開幕演出：[Who are you when you’re not performing?]
日期：2026年6月6 (星期六)
時間：16:00進場 16:30-18:00
開始
票價：$250 &#124; 學生：$180
六位新人模特兒人體寫生
日期：2026年6月14 (星期日)
時間：15:00-17:30票價：$450 &#124; 學生：$350
六位女模特兒人體寫生
日期：2026年6月21 (星期日)
時間：15:00-17:30
票價：$450 &#124; 學生：$350
六位男模特兒人體寫生
日期：2026年6月28 (星期日)
時間：15:00-17:30
票價：$450 &#124; 學生：$350
*如報名三場六位模特兒人體寫生，套票優惠價如下：
全票：$1200
學生：$900
[CRYSTALLISED SELF] 
A Decade of Life Modeling: An Exhibition about Life Drawing
Looking back at ten years of life modeling, the body remains frozen in time. Within the safe confines of the studio, we explore the dynamic between the observer and the observed, the artist and the subject. These moments of stillness require immense strength and patience. This exhibition serves as a reflection for both painters and models, featuring works by 40 artists, to be showcased this June at FURNACE.
[Exhibition Info] 
Dates: June 6 – 28, 2026 
Hours: 14:00 – 19:00 (Closed Mondays and Tuesdays) 
Venue: @performance_art_furnace_hk9/F, Foo Tak Building, 367 Hennessy Road, Wan Chai, Hong Kong
Registration: https://forms.gle/RGvLP3rhHdkYR5kE6
Curator
Pang Jing &#124; Performance Artist &#124; Life Model &#124; Red Witch

Born and raised in Hong Kong, Pang Jing obtained her Bachelor’s degree from the Academy of Visual Arts, Hong Kong Baptist University in 2014, and her Master of Fine Arts from The Chinese University of Hong Kong in 2022. She has been a life model since 2016. Trained in painting from a young age, she uses Performance Art as a bridge between people—exploring body memory and perception, relationships and connections, the unknown and risk, and the land and its flora—to reveal the deep self and contemplate the unspeakable. 
Driven by curiosity to become a life model, this profession has led her to diverse places and introduced her to various artistic communities. Through countless life stories, she has discovered the profound connection between the body, creativity, and humanity. Inwardly, in a state of absolute stillness, her senses are heightened, feeling the flow and rhythm of Qi. Outwardly, she has experienced firsthand society's perceptions and judgments of the naked body, slowly learning how to navigate curiosity, scepticism, and deep inquiry.
[Schedule of Events]
Opening Performance: [Who are you when you’re not performing?]
Date: Saturday, June 6, 2026
Time: Doors open 16:00 &#124; Performance Starts 16:30 
Tickets: $250 &#124; Students: $180
Life Drawing with 6 New Models Session
Date: Sunday, June 14, 2026
ime: 15:00 – 17:30Tickets: $450 &#124; Students: $350
Life Drawing with 6 Female Models
Date: Sunday, June 21, 2026
Time: 15:00 – 17:30
Tickets: $450 &#124; Students: $350
Life Drawing with 6 Male Models
Date: Sunday, June 28, 2026
Time: 15:00 – 17:30
Tickets: $450 &#124; Students: $350
*Bundle Offer: 
Register for all three "6-Model Sessions" at a discounted price:
&#38;gt;&#38;gt;&#38;gt; 
Standard Bundle: $1200
&#38;gt;&#38;gt;&#38;gt; Student Bundle: $900
Organised by: FURNACE 
Life drawing credit: @pang_jing 
Studio sponsored by: Art and Cultural Outreach

&#60;img width="3274" height="4096" width_o="3274" height_o="4096" data-src="https://freight.cargo.site/t/original/i/c4f92d9cc76a2f9638b911c3788e739f4af641273ea9749633a6d071dad1d251/2.jpg" data-mid="249655234" border="0"  src="https://freight.cargo.site/w/1000/i/c4f92d9cc76a2f9638b911c3788e739f4af641273ea9749633a6d071dad1d251/2.jpg" /&#62;
&#60;img width="3274" height="4096" width_o="3274" height_o="4096" data-src="https://freight.cargo.site/t/original/i/5225e1c8e31211739092ddc7d82c191db2c321a4e6b686987b691aab0636bd73/1.jpg" data-mid="249655235" border="0"  src="https://freight.cargo.site/w/1000/i/5225e1c8e31211739092ddc7d82c191db2c321a4e6b686987b691aab0636bd73/1.jpg" /&#62;
&#60;img width="3274" height="4096" width_o="3274" height_o="4096" data-src="https://freight.cargo.site/t/original/i/bc73a7624680cb14a9f0cf77b9a462a9e70e1073a75f28dd3bb0de143838d8c6/3.jpg" data-mid="249655233" border="0"  src="https://freight.cargo.site/w/1000/i/bc73a7624680cb14a9f0cf77b9a462a9e70e1073a75f28dd3bb0de143838d8c6/3.jpg" /&#62;
&#60;img width="3274" height="4096" width_o="3274" height_o="4096" data-src="https://freight.cargo.site/t/original/i/9cff6bfb205066ad926c554b8e1e57682acf4bef4ab5fca00e67c21825f3b20c/4.jpg" data-mid="249655232" border="0"  src="https://freight.cargo.site/w/1000/i/9cff6bfb205066ad926c554b8e1e57682acf4bef4ab5fca00e67c21825f3b20c/4.jpg" /&#62;

凝結之身展覽特別策劃
紅魔女茶點吹水房
Special Curation for [CRYSTALLISED SELF] Exhibition
The Red Witch‘s Chatroom
日期：2026年6月20/27&#38;amp;7月4/13 (星期六)
時間：16:00-18:00
地點：performance_art_furnace_hk
香港灣仔軒尼詩道367號富德樓9樓熔爐
茶點費：$150
每節人數：只限5人 (人少少傾得舒服啲)
報名連結：https://forms.gle/RGvLP3rhHdkYR5kE6
熔爐策劃者剖白（長文慎入）：
這絕對是一個自戀又自肥又不客觀的展覽。科普資訊提供：一個展覽策展人的身份和職責，就像是藝術與觀眾之間的「橋樑」與「翻譯官」。策展人不僅僅是把畫掛在牆上，而是透過一個核心概念，將不同的藝術品、空間、文字和活動編織在一起，創造出一個能與觀眾對話的體驗。因此，（通常）參展藝術家並不會同時是策展人。本來想找香港獨立策展人策展，多第三隻眼可以幫手望望，但是我個人太摺又不合群，(感謝秘密水瓶軍師出謀獻策)，最後我還是一手包辦所有事。打開記憶之門，細數這十年life drawing experience 遇過的特別事件(而令我最難堪的往往是曾經最親近的人)。
[記憶碎片1] （關於自我價值與親密關係）
前度一：情景A：我給他看我跟朋友集資出的(nudity)相集，他即時反應是：嘩！你宜家連Porn都影埋？
情景B：你係咪做得模特兒多唔乾淨，所以有念珠菌感染？（分手後完全康復零感染）
情景C：[Mind-control X Gaslighting效應] 你都係除衫被人睇姐，有咩咁好驕傲？你啲錢真係容易賺！
情景D：你朋友A咁索，點解你咁既？我其實中意筷子腳，（定眼望住我既腳）搖頭說，算啦！
（
一起兩年分手六次，瘦了20磅，失眠胃痛發惡夢，在街上突然痛哭。如何脫離有毒親密關係留待吹水房揭曉）
[記憶碎片2] （關於親密關係中的權力dynamic）
前度三：點樣係咁多人面前畫自己鍾意既人啊？當時的我即時反應：如果你去做模，我會好想畫。
後來，我才意識到上面那句的潛台詞是：你的身體（某程度上）是屬於我的，我無法跟別人一起直視你的身體，我無法接受他人帶有慾望的去凝視你。
（看來時間是毒藥又是解藥）
[記憶碎片3] （關於女性身體之所屬權與伴侶關係）
親戚A：你做啲咁既野，感情路係難行啲架啦！
[記憶碎片4]
某女性向的網台女記者：你做呢份工作，感情路會唔會好難行？有無咩阻礙？聽過啲咩好難聽既說話？
某資深年資的女DJ：咁點解你要主動arouse人地既慾望？
[記憶碎片5]
親戚B：其實阿靖做緊咩？佢唔著衫被人睇喎！
[記憶碎片6]某男：其實你咁多訪問，除衫係咪想搏出位同出名？
我：如果名氣能把我想說的話讓更多人知，或讓我相信的事推得更廣，那我應該是吧！
（
已遠離此人）
[記憶碎片7]某主張身體自主的女士
剛相識：你肥咗喎！啲相執到我就死！
兩年後：你宜家瘦成排骨咁，不過瘦啲係靚啲既！
[記憶碎片8]（關於刻板印象/父權紅利）
某男畫家：你咁靚，搵個有錢人嫁左去咪可以飛上枝頭變鳯凰囉！
當時我一絲不掛的被畫中，我回應：咁你都可以好似陳震聰咁搵個屬於你既小甜甜，依附權貴既人就無分性別既。
對方：嘩！唔講啦唔講啦，估唔到你係女權主義者喎！
我零反應，回到靜止不動的放空狀態。心裡想著：我已經是鳳凰了
[記憶碎片9]
某男創作者：彭靖當年都好青春
我：你都係啦，又白又滑！
[記憶碎片10]（關於影視創作中女性角色之形象）
某大學舊同學打來：請問你有興趣幫一套商業電影做裸模嗎？是大budget大製作！一定會影得很唯美！然後send了一些朦朧的黑白裸體照片。
我：那拍攝內容是？
對方：劇情角色是一具被姦殺的屍體。
我：不了，我不會接
對方：那你有裸模朋友會有興趣嗎？
我：不會了，我不想我的朋友被虛擬地姦殺，Bye！
（拍了超級多年，近年終於上映，我有在戲院看，的確是得幾秒，但𣊬間令我連結時空中的記憶碎片。）
[記憶碎片11]
某女：自我暴露都係一種手段
[記憶碎片12]（關於蕩婦羞辱及情慾自主）
代課時期某中三女學生：咁同做雞有咩分別？
當時我的回應：同學，請把「雞」轉稱成「性工作者」，其實是有分別的，性工作者的工作內容為提供性服務及身體接觸。而人體模特兒是不需要被觸摸及有任何身體接觸。
但兩者有以下兩個（部分正確）之共同點：
一，赤裸身體呈現於人們眼前，但其實這說法也只有部分正確，有時性工作者也不一定全裸，也有可能是穿內衣或衣服。二，慾望的對象，性工作者解決顧客之性欲需求；而人體模特兒是被凝望之描繪對象，而凝望其身體之創作者會或不會帶有慾望的視線去觀察，以我經驗，在畫室裡的氣氛及計時轉姿勢的速度之快，其實就很難有其他慾望想像，但我沒有讀心術，各畫家心中想什麼我也沒權過問。
但認真地思考反省：那如果帶有慾望又如何呢？性慾不是跟食慾一樣，都屬於人性的一部分嗎？
三位15歲的女同學安靜下來，定眼看著我
[記憶碎片13]某路人：你都只係賣身姐！
我（忍不住講一些阿媽是女人的反問）：難道資本市場下的時薪也不是用時間與身體來換取金錢？
[記憶碎片14]
某舊同學：佢個work咪唔著衫既女人囉！
我當時未有足夠既急才去反應。

[記憶碎片15]（關於匿名性騷擾）
某網民傳來dick pic：我勁唔勁？
我：其實你有無同女仔相處過，有女仔會中意睇器官圖片，然後覺得吸引？定你想去我幫你評分？閣下器官又細又岩巉，而且毛髮亂生又核突，真係肉酸，-1000分。然後該名網民block左我
[記憶碎片16］
某網民：勁野，有勇氣！裸體即藝術。
我：創作可包括裸體，但不是裸體就=創作。
[記憶碎片17］
某人：你宜家三十幾歲除衫仲有人睇咩？
[記憶碎片18］
某網民：比錢就有得睇你除衫？比錢就有裸體睇？
因此，第一次參加我籌辦life drawing的參加者，我都會提出以下life drawing protocol ：
「抱歉不開放只想來觀看的，來我的life drawing session都是認真練習的畫家，每個人都必須以繪畫為前提來參與。請回答以下問題：
1-你以前參加過人體寫生嗎？
2-你很常畫畫嗎？
3-可以分享一下你的畫嗎？ (請傳你親手畫的畫)
請理解，當新參與者希望加入時，我必須提出以上問題，以保障舉辦空間與模特兒。謝謝你 」
回顧這十年，關於創作、身體、裸露、關係、權益、權力、經營、目光等，其實我從來都不想成為「權威」，但某畫家說：但你已經係啦！即使你不想，但無可否認有一定程度的影響力。
當談及情，有時候，關係中的悲歡離合、愛恨情仇，他者的看法與批判，跟自身的個人價值及自我認同可以是沒有直線連繫的。關係像一塊多面鏡，讓最赤裸的人性如實地映照出來，但能夠親手觸碰到的就只有本體吧。如果大家有興趣與我對話，有任何問題或疑惑，我都非常渴望分享，包括身體自主意識、在體模工作上的權利、創作的好奇心等，歡迎來紅魔女茶點吹水房傾下計。
超級非常感恩在這路上遇到美好的人們，繼續加油共勉之。下篇將說說有趣又美妙的記憶碎片，敬請期待！

Photo credit:&#38;nbsp;[Who are you when you’re not performing?]Opening Performance of [CRYSTALLISED SELF] Life Drawing ExhibitionIn frame with: 暢寶/月亮巴士/雷霆萬鈞/美彤/Jesse/應超/Bella/Kitman/HC/Bear agnes/Ann/健/Andrey Szeto/小昭/Ro/Echo/Jonathan Sze/Charlotte/Alex ANZOLA JÜRGENSON/Nic/Isis lau/Tony/Jon/Yuling•Organised by FURNACE Studio sponsored by Art and Cultural OutreachEnglish version please see below •Special Curation for [CRYSTALLISED SELF] Exhibition&#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t75/2/16/2728.png" style="width: 16px; height: 16px;"&#62;The Red Witch's Chatroom&#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t1f/2/16/1f52e.png" style="width: 16px; height: 16px;"&#62;Dates: 20/27 June &#38;amp; 4/11 July 2026 (Saturdays)Time: 16:00–18:00Venue: @performance_art_furnace_hkThe Furnace, 9/F, Fook Tak Building, 367 Hennessy Road, Wan Chai, Hong KongRefreshments fee: $150Group size: Limited to 5 people (smaller groups make for a more relaxed discussion)Registration link:https://forms.gle/RGvLP3rhHdkYR5kE6A Confession from the Furnace Curator (long read ahead):This is undoubtedly a narcissistic, self-serving and biased exhibition.A bit of background: The role and responsibilities of an exhibition curator are akin to being a ‘bridge’ and ‘interpreter’ between art and the audience. A curator does more than simply hang pictures on the wall; they weave together different artworks, spaces, texts and activities around a central concept to create an experience that engages with the audience. Therefore, (usually) the exhibiting artists are not the curators.I had originally intended to commission an independent Hong Kong curator to help provide a third perspective – I’m too stubborn and unsociable on my own (thanks to my secret Aquarius advisor for the advice) – but in the end, I ended up handling everything myself.Opening the door to my memories, I reflect on the special moments I’ve encountered over the past decade of my life (and the ones that have left me feeling most humiliated are often those involving the people I was once closest to).[Memory Fragment 1] (On self-worth and intimate relationships)Ex-boyfriend 1:Scenario A: I showed him a (nude) photo album I’d put together with friends. His immediate reaction was: ‘Wow! Are you shooting porn now too?’Scenario B: ‘Is your modelling work so unsavoury that you’ve got a yeast infection?’ (I made a full recovery and had zero infections after we split up)Scenario C: [Mind-control X Gaslighting effect] You’re just taking your clothes off for people to look at – what’s there to be so proud of? You really do make money easily!Scenario D: Your friend A is so hot, why are you like this? I actually prefer stick-thin legs, (staring intently at my legs) shaking his head and saying, ‘Forget it!’(We were together for two years and broke up six times. I lost 20 pounds, suffered from insomnia, stomach aches and nightmares, and would suddenly burst into tears on the street &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t67/2/16/1f440.png" style="width: 16px; height: 16px;"&#62;. How I escaped this toxic relationship will be revealed in the chat room &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/tfa/2/16/1f31a.png" style="width: 16px; height: 16px;"&#62;)[Memory Fragment 2] (On power dynamics in intimate relationships)Ex-boyfriend No. 3: How could you draw the person you like in front of so many people?My immediate reaction at the time: “If you were a model, I’d love to draw you.”It was only later that I realised the subtext of that sentence was: “Your body (to some extent) belongs to me; I cannot bear to look at your body alongside others; I cannot accept others gazing at you with desire.”(It seems time is both poison and the antidote &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/tfa/2/16/1f31a.png" style="width: 16px; height: 16px;"&#62;&#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/ta3/2/16/1f60f.png" style="width: 16px; height: 16px;"&#62;&#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t75/2/16/1f608.png" style="width: 16px; height: 16px;"&#62;)[Memory Fragment 3] (On ownership of the female body and relationships)Relative A: Doing things like that makes your love life a bit of a struggle![Memory Fragment 4]Female reporter from a women’s web radio station: Does doing this job make your love life difficult? Are there any obstacles? Have you heard any nasty comments?Senior female DJ: So why do you go out of your way to arouse people’s desires?[Memory Fragment 5]Relative B: “What’s Jing actually doing? She’s being watched without any clothes on!”[Memory Fragment 6]A man: “With all these interviews you do, is taking your clothes off just a way to get attention and become famous?”Me: “If fame can help more people hear what I have to say, or spread the beliefs I hold dear, then I suppose I am!” (I’ve since distanced myself from this person)[Memory Fragment 7]A lady who advocates for bodily autonomyWhen we first met: You’ve put on weight! Those photos are absolutely stunning!Two years later: You’re as thin as a rake now, but you do look better that way![Memory Fragment 8] (On stereotypes/patriarchal privilege)A male painter: “You’re so beautiful, why not marry a rich man and become a phoenix perched on a branch?”I was being painted completely naked at the time, and I replied: “Well, you could do the same as Chan Chun-chung and find your own ‘Little Sweetheart’—clinging to the powerful knows no gender.”Him: “Wow! Never mind, never mind. I had no idea you were a feminist!”I gave no reaction, returning to a state of stillness and mental blankness. I thought to myself: I already am a phoenix &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t6f/2/16/1f602.png" style="width: 16px; height: 16px;"&#62;&#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t73/2/16/1f606.png" style="width: 16px; height: 16px;"&#62;&#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t1c/2/16/1f426_200d_1f525.png" style="width: 16px; height: 16px;"&#62;[Memory Fragment 9]A male creator: Peng Jing was so youthful back then.Me: You were too—so fair-skinned and smooth! &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/teb/2/16/1f642.png" style="width: 16px; height: 16px;"&#62;[Memory Fragment 10] (On the portrayal of female characters in film and television)An old university classmate rang up: ‘Would you be interested in modelling nude for a commercial film? It’s a big-budget, major production! It’ll definitely be shot beautifully!’Then they sent some blurry black-and-white nude photos.Me: So what’s the shoot about?Them: The character is a corpse that’s been raped and murdered.Me: No thanks, I won’t be taking that on &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/te/2/16/1f612.png" style="width: 16px; height: 16px;"&#62;Them: Well, do you have any nude model friends who might be interested?Me: No, I don’t. I don’t want my friends to be virtually raped and murdered. Bye!(It took ages to film, but it finally hit the screens a few years back. I saw it at the cinema – it was only a few seconds long, but in that split second, it triggered fragments of memories from across time and space.)[Memory Fragment 11]A woman: Self-exposure is just a tactic[Memory Fragment 12] (On slut-shaming and sexual autonomy)A Form 3 girl during my time as a supply teacher: “So what’s the difference between that and being a hooker?”My response at the time: “Miss, please replace ‘hooker’ with ‘sex worker’. There is actually a difference. A sex worker’s job involves providing sexual services and physical contact. A nude model, however, does not need to be touched or have any physical contact.”However, the two share the following two (partially accurate) similarities:First, the naked body is presented before others; though this statement is only partially accurate, as sex workers are not always fully naked—they may be wearing underwear or clothing. Second, they are objects of desire: sex workers satisfy their clients’ sexual needs; whereas a life model is the subject of the gaze; the artist observing their body may or may not do so with a gaze imbued with desire. In my experience, given the atmosphere in the studio and the rapid pace at which poses are changed, it is actually quite difficult to entertain other lustful imaginings. However, I am not a mind reader, and I have no right to pry into what individual artists are thinking.But upon serious reflection: what if they do harbour desire? Isn’t sexual desire, just like the appetite, simply part of human nature? &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t75/2/16/2728.png" style="width: 16px; height: 16px;"&#62;Three 15-year-old female students fell silent, fixing their gaze upon me &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t67/2/16/1f440.png" style="width: 16px; height: 16px;"&#62;[Memory Fragment 13]Some passer-by: ‘You’re just selling your body, aren’t you!’Me (unable to resist retorting with the obvious): ‘Isn’t an hourly wage in the capital market also money exchanged for time and one’s body?’[Memory Fragment 14]An old classmate: ‘Her job is just being a naked woman, isn’t it!’I didn’t have the quick wit to respond at the time.[Memory Fragment 15] (Regarding anonymous harassment)Some netizen sent a dick pic: ‘Am I big enough?’Me: Have you ever actually spent time with women? Do women actually enjoy looking at pictures of genitals and find them attractive? Or do you want me to rate you? Your genitals are small and misshapen, and the hair is all over the place—it’s disgusting. It’s truly cringe-worthy. -1000 points. Then that netizen blocked me &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/tfa/2/16/1f31a.png" style="width: 16px; height: 16px;"&#62;[Memory Fragment 16]Some netizen: Impressive, you’ve got guts! Nudity is art.Me: Art can include nudity, but nudity does not equal art.[Memory Fragment 17]Someone: You’re in your thirties now – who’s going to look at you taking your clothes off?[Memory Fragment 18]Some netizen: If I pay, can I watch you undress? If I pay, can I see nudity?Therefore, for first-time participants in the life drawing sessions I organise, I always present the following life drawing protocol:“Apologies, but we do not allow those who simply wish to watch. Everyone attending my life drawing sessions is a serious artist practising their craft; participation is strictly on the condition that you are there to draw.Please answer the following questions:1- Have you participated in life drawing before?2- Do you draw frequently?3- Can you share some of your artwork? (Please send drawings you have created yourself)Please understand that when new participants wish to join, I must ask these questions to protect the venue and the model. Thank you &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t1f/2/16/1f64f.png" style="width: 16px; height: 16px;"&#62;”Looking back over the past decade, regarding creativity, the body, nudity, relationships, rights, power, management, and the gaze, I have never actually wanted to become an “authority figure”. Yet, as one artist said: “But you already are one!” Even if you don’t want to be, it’s undeniable that you hold a certain degree of influence.When it comes to matters of the heart, sometimes the joys and sorrows, the loves and hates within a relationship, along with others’ views and criticisms, may not have a direct connection to one’s personal values and self-identity. Relationships are like a multifaceted mirror, reflecting the rawest aspects of human nature truthfully, yet the only thing one can truly touch is one’s own essence.If anyone is interested in having a chat with me, or has any questions or doubts, I’d be absolutely delighted to share my thoughts—whether it’s about bodily autonomy, rights in the modelling industry, or the curiosity behind creative work. Feel free to pop into the Red Witch’s Tea &#38;amp; Chat Room for a natter &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t10/2/16/1f339.png" style="width: 16px; height: 16px;"&#62;I am incredibly grateful to have met such wonderful people along this journey. Let’s keep going and encourage one another. In my next post, I’ll share some interesting and wonderful fragments of memory—stay tuned &#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t1f/2/16/1f52e.png" style="width: 16px; height: 16px;"&#62;&#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/tef/2/16/1f525.png" style="width: 16px; height: 16px;"&#62;&#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/tb/2/16/1f499.png" style="width: 16px; height: 16px;"&#62;&#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t75/2/16/2728.png" style="width: 16px; height: 16px;"&#62;•
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		<title>Who are you when you're not performing?</title>
				
		<link>https://pangjingcreation.com/Who-are-you-when-you-re-not-performing</link>

		<pubDate>Mon, 28 Sep 2026 17:22:03 +0000</pubDate>

		<dc:creator>pangjingcreation</dc:creator>

		<guid isPermaLink="true">https://pangjingcreation.com/Who-are-you-when-you-re-not-performing</guid>

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凝結之身展覽特別策劃

熔爐策劃者剖白（長文慎入）：
這絕對是一個自戀又自肥又不客觀的展覽。
科普資訊提供：一個展覽策展人的身份和職責，就像是藝術與觀眾之間的「橋樑」與「翻譯官」。策展人不僅僅是把畫掛在牆上，而是透過一個核心概念，將不同的藝術品、空間、文字和活動編織在一起，創造出一個能與觀眾對話的體驗。因此，（通常）參展藝術家並不會同時是策展人。本來想找香港獨立策展人策展，多第三隻眼可以幫手望望，但是我個人太摺又不合群，(感謝秘密水瓶軍師出謀獻策)，最後我還是一手包辦所有事。
打開記憶之門，細數這十年life drawing experience 遇過的特別事件(而令我最難堪的往往是曾經最親近的人)。
[記憶碎片1] （關於自我價值與親密關係）
前度一：
情景A：我給他看我跟朋友集資出的(nudity)相集，他即時反應是：嘩！你宜家連Porn都影埋？
情景B：你係咪做得模特兒多唔乾淨，所以有念珠菌感染？（分手後完全康復零感染）
情景C：[Mind-control X Gaslighting效應] 你都係除衫被人睇姐，有咩咁好驕傲？你啲錢真係容易賺！
情景D：你朋友A咁索，點解你咁既？我其實中意筷子腳，（定眼望住我既腳）搖頭說，算啦！（一起兩年分手六次，瘦了20磅，失眠胃痛發惡夢，在街上突然痛哭&#60;img height="16" width="16" src="https://static.xx.fbcdn.net/images/emoji.php/v9/t67/2/16/1f440.png" style="width: 16px; height: 16px;"&#62;如何脫離有毒親密關係留待吹水房揭曉）
[記憶碎片2] （關於親密關係中的權力dynamic）
前度三：點樣係咁多人面前畫自己鍾意既人啊？當時的我即時反應：如果你去做模，我會好想畫。後來，我才意識到上面那句的潛台詞是：你的身體（某程度上）是屬於我的，我無法跟別人一起直視你的身體，我無法接受他人帶有慾望的去凝視你。（看來時間是毒藥又是解藥）
[記憶碎片3] （關於女性身體之所屬權與伴侶關係）
親戚A：你做啲咁既野，感情路係難行啲架啦！
[記憶碎片4]
某女性向的網台女記者：你做呢份工作，感情路會唔會好難行？有無咩阻礙？聽過啲咩好難聽既說話？
某資深年資的女DJ：咁點解你要主動arouse人地既慾望？
[記憶碎片5]
親戚B：其實阿靖做緊咩？佢唔著衫被人睇喎！
[記憶碎片6]某男：其實你咁多訪問，除衫係咪想搏出位同出名？我：如果名氣能把我想說的話讓更多人知，或讓我相信的事推得更廣，那我應該是吧！（已遠離此人）
[記憶碎片7]
某主張身體自主的女士剛相識：你肥咗喎！啲相執到我就死！兩年後：你宜家瘦成排骨咁，不過瘦啲係靚啲既！
[記憶碎片8]（關於刻板印象/父權紅利）
某男畫家：你咁靚，搵個有錢人嫁左去咪可以飛上枝頭變鳯凰囉！當時我一絲不掛的被畫中，我回應：咁你都可以好似陳震聰咁搵個屬於你既小甜甜，依附權貴既人就無分性別既。對方：嘩！唔講啦唔講啦，估唔到你係女權主義者喎！我零反應，回到靜止不動的放空狀態。心裡想著：我已經是鳳凰了
[記憶碎片9]某男創作者：彭靖當年都好青春我：你都係啦，又白又滑！
[記憶碎片10]（關於影視創作中女性角色之形象）
某大學舊同學打來：請問你有興趣幫一套商業電影做裸模嗎？是大budget大製作！一定會影得很唯美！然後send了一些朦朧的黑白裸體照片。我：那拍攝內容是？對方：劇情角色是一具被姦殺的屍體。我：不了，我不會接
對方：那你有裸模朋友會有興趣嗎？我：不會了，我不想我的朋友被虛擬地姦殺，Bye！（拍了超級多年，近年終於上映，我有在戲院看，的確是得幾秒，但𣊬間令我連結時空中的記憶碎片。）
[記憶碎片11]某女：自我暴露都係一種手段
[記憶碎片12]（關於蕩婦羞辱及情慾自主）
代課時期某中三女學生：咁同做雞有咩分別？
當時我的回應：同學，請把「雞」轉稱成「性工作者」，其實是有分別的，性工作者的工作內容為提供性服務及身體接觸。而人體模特兒是不需要被觸摸及有任何身體接觸。
但兩者有以下兩個（部分正確）之共同點：一，赤裸身體呈現於人們眼前，但其實這說法也只有部分正確，有時性工作者也不一定全裸，也有可能是穿內衣或衣服。二，慾望的對象，性工作者解決顧客之性欲需求；而人體模特兒是被凝望之描繪對象，而凝望其身體之創作者會或不會帶有慾望的視線去觀察，以我經驗，在畫室裡的氣氛及計時轉姿勢的速度之快，其實就很難有其他慾望想像，但我沒有讀心術，各畫家心中想什麼我也沒權過問。但認真地思考反省：那如果帶有慾望又如何呢？性慾不是跟食慾一樣，都屬於人性的一部分嗎？三位15歲的女同學安靜下來，定眼看著我。
[記憶碎片13]
某路人：你都只係賣身姐！我（忍不住講一些阿媽是女人的反問）：難道資本市場下的時薪也不是用時間與身體來換取金錢？
[記憶碎片14]某舊同學：佢個work咪唔著衫既女人囉！我當時未有足夠既急才去反應。
[記憶碎片15]（關於匿名性騷擾）某網民傳來dick pic：我勁唔勁？我：其實你有無同女仔相處過，有女仔會中意睇器官圖片，然後覺得吸引？定你想去我幫你評分？閣下器官又細又岩巉，而且毛髮亂生又核突，真係肉酸，-1000分。然後該名網民block左我
[記憶碎片16］某網民：勁野，有勇氣！裸體即藝術。我：創作可包括裸體，但不是裸體就=創作。
[記憶碎片17］某人：你宜家三十幾歲除衫仲有人睇咩？
[記憶碎片18］某網民：比錢就有得睇你除衫？比錢就有裸體睇？
因此，第一次參加我籌辦life drawing的參加者，我都會提出以下life drawing protocol ：
「抱歉不開放只想來觀看的，來我的life drawing session都是認真練習的畫家，每個人都必須以繪畫為前提來參與。
請回答以下問題：
1-你以前參加過人體寫生嗎？
2-你很常畫畫嗎？
3-可以分享一下你的畫嗎？ (請傳你親手畫的畫)
請理解，當新參與者希望加入時，我必須提出以上問題，以保障舉辦空間與模特兒。謝謝你。
回顧這十年，關於創作、身體、裸露、關係、權益、權力、經營、目光等，其實我從來都不想成為「權威」，但某畫家說：但你已經係啦！即使你不想，但無可否認有一定程度的影響力。當談及情，有時候，關係中的悲歡離合、愛恨情仇，他者的看法與批判，跟自身的個人價值及自我認同可以是沒有直線連繫的。關係像一塊多面鏡，讓最赤裸的人性如實地映照出來，但能夠親手觸碰到的就只有本體吧。如果大家有興趣與我對話，有任何問題或疑惑，我都非常渴望分享，包括身體自主意識、在體模工作上的權利、創作的好奇心等，歡迎來紅魔女茶點吹水房傾下計。

超級非常感恩在這路上遇到美好的人們，繼續加油共勉之。下篇將說說有趣又美妙的記憶碎片，敬請期待
Photo credit: treelosk Sumless Shadows
[Who are you when you’re not performing?]
Opening Performance of [CRYSTALLISED SELF] 
Confession from the Furnace Curator (long read ahead):
This is undoubtedly a narcissistic, self-serving and biased exhibition. A bit of background: The role and responsibilities of an exhibition curator are akin to being a ‘bridge’ and ‘interpreter’ between art and the audience. A curator does more than simply hang pictures on the wall; they weave together different artworks, spaces, texts and activities around a central concept to create an experience that engages with the audience. Therefore, (usually) the exhibiting artists are not the curators.I had originally intended to commission an independent Hong Kong curator to help provide a third perspective – I’m too stubborn and unsociable on my own (thanks to my secret Aquarius advisor for the advice) – but in the end, I ended up handling everything myself.
Opening the door to my memories, I reflect on the special moments I’ve encountered over the past decade of my life (and the ones that have left me feeling most humiliated are often those involving the people I was once closest to).
[Memory Fragment 1] (On self-worth and intimate relationships)
Ex-boyfriend 1:
Scenario A: I showed him a (nude) photo album I’d put together with friends. His immediate reaction was: ‘Wow! Are you shooting porn now too?’
Scenario B: ‘Is your modelling work so unsavoury that you’ve got a yeast infection?’ (I made a full recovery and had zero infections after we split up)
Scenario C: [Mind-control X Gaslighting effect] You’re just taking your clothes off for people to look at – what’s there to be so proud of? You really do make money easily!
Scenario D: Your friend A is so hot, why are you like this? I actually prefer stick-thin legs, (staring intently at my legs) shaking his head and saying, ‘Forget it!’(We were together for two years and broke up six times. I lost 20 pounds, suffered from insomnia, stomach aches and nightmares, and would suddenly burst into tears on the street . How I escaped this toxic relationship will be revealed in the chat room )
[Memory Fragment 2] (On power dynamics in intimate relationships)
Ex-boyfriend No. 3: How could you draw the person you like in front of so many people?My immediate reaction at the time: “If you were a model, I’d love to draw you.”It was only later that I realised the subtext of that sentence was: “Your body (to some extent) belongs to me; I cannot bear to look at your body alongside others; I cannot accept others gazing at you with desire.”
[Memory Fragment 3] (On ownership of the female body and relationships)Relative A: Doing things like that makes your love life a bit of a struggle!
[Memory Fragment 4]
Female reporter from a women’s web radio station: Does doing this job make your love life difficult? Are there any obstacles? Have you heard any nasty comments?Senior female 
DJ: So why do you go out of your way to arouse people’s desires?
[Memory Fragment 5]Relative B: “What’s Jing actually doing? She’s being watched without any clothes on!”
[Memory Fragment 6]
A man: “With all these interviews you do, is taking your clothes off just a way to get attention and become famous?”Me: “If fame can help more people hear what I have to say, or spread the beliefs I hold dear, then I suppose I am!” (I’ve since distanced myself from this person)
[Memory Fragment 7]
A
 lady who advocates for bodily autonomyWhen we first met: You’ve put on weight! Those photos are absolutely stunning!Two years later: You’re as thin as a rake now, but you do look better that way!
[Memory Fragment 8] (On stereotypes/patriarchal privilege)
A male painter: “You’re so beautiful, why not marry a rich man and become a phoenix perched on a branch?”I was being painted completely naked at the time, and I replied: “Well, you could do the same as Chan Chun-chung and find your own ‘Little Sweetheart’—clinging to the powerful knows no gender.”Him: “Wow! Never mind, never mind. I had no idea you were a feminist!”I gave no reaction, returning to a state of stillness and mental blankness. I thought to myself: I already am a phoenix 
[Memory Fragment 9]
A male creator: Pang Jing was so youthful back then.Me: You were too—so fair-skinned and smooth! 
[Memory Fragment 10] (On the portrayal of female characters in film and television)
An old university classmate rang up: ‘Would you be interested in modelling nude for a commercial film? It’s a big-budget, major production! It’ll definitely be shot beautifully!’ Then they sent some blurry black-and-white nude photos. Me: So what’s the shoot about?Them: The character is a corpse that’s been raped and murdered.Me: No thanks, I won’t be taking that on. Them: Well, do you have any nude model friends who might be interested?Me: No, I don’t. I don’t want my friends to be virtually raped and murdered. Bye!(It took ages to film, but it finally hit the screens a few years back. I saw it at the cinema – it was only a few seconds long, but in that split second, it triggered fragments of memories from across time and space.)
[Memory Fragment 11]A woman: Self-exposure is just a tactic.
[Memory Fragment 12] (On slut-shaming and sexual autonomy)A Form 3 girl during my time as a supply teacher: “So what’s the difference between that and being a hooker?”My response at the time: “Miss, please replace ‘hooker’ with ‘sex worker’. There is actually a difference. A sex worker’s job involves providing sexual services and physical contact. A nude model, however, does not need to be touched or have any physical contact.”However, the two share the following two (partially accurate) similarities:First, the naked body is presented before others; though this statement is only partially accurate, as sex workers are not always fully naked—they may be wearing underwear or clothing. Second, they are objects of desire: sex workers satisfy their clients’ sexual needs; whereas a life model is the subject of the gaze; the artist observing their body may or may not do so with a gaze imbued with desire. In my experience, given the atmosphere in the studio and the rapid pace at which poses are changed, it is actually quite difficult to entertain other lustful imaginings. However, I am not a mind reader, and I have no right to pry into what individual artists are thinking.But upon serious reflection: what if they do harbour desire? Isn’t sexual desire, just like the appetite, simply part of human nature? Three 15-year-old female students fell silent, fixing their gaze upon me 
[Memory Fragment 13]
Some passer-by: ‘You’re just selling your body, aren’t you!’Me (unable to resist retorting with the obvious): ‘Isn’t an hourly wage in the capital market also money exchanged for time and one’s body?’
[Memory Fragment 14]
An old classmate: ‘Her job is just being a naked woman, isn’t it!’I didn’t have the quick wit to respond at the time.
[Memory Fragment 15] (Regarding anonymous harassment)
Some netizen sent a dick pic: ‘Am I big enough?’Me: Have you ever actually spent time with women? Do women actually enjoy looking at pictures of genitals and find them attractive? Or do you want me to rate you? Your genitals are small and misshapen, and the hair is all over the place—it’s disgusting. It’s truly cringe-worthy. -1000 points. Then that netizen blocked me 
[Memory Fragment 16]
Some netizen: Impressive, you’ve got guts! Nudity is art.Me: Art can include nudity, but nudity does not equal art.
[Memory Fragment 17]
Someone: You’re in your thirties now – who’s going to look at you taking your clothes off?
[Memory Fragment 18]
Some netizen: If I pay, can I watch you undress? If I pay, can I see nudity?
Therefore, for first-time participants in the life drawing sessions I organise, I always present the following life drawing protocol:
“Apologies, but we do not allow those who simply wish to watch. Everyone attending my life drawing sessions is a serious artist practising their craft; participation is strictly on the condition that you are there to draw.
Please answer the following questions:
1- Have you participated in life drawing before?
2- Do you draw frequently?
3- Can you share some of your artwork? 
(Please send drawings you have created yourself)
Please understand that when new participants wish to join, I must ask these questions to protect the venue and the model. Thank you ”
Looking back over the past decade, regarding creativity, the body, nudity, relationships, rights, power, management, and the gaze. When it comes to matters of the heart, sometimes the joys and sorrows, the loves and hates within a relationship, along with others’ views and criticisms, may not have a direct connection to one’s personal values and self-identity. Relationships are like a multifaceted mirror, reflecting the rawest aspects of human nature truthfully, yet the only thing one can truly touch is one’s own essence. 
If anyone is interested in having a chat with me, or has any questions or doubts, I’d be absolutely delighted to share my thoughts—whether it’s about bodily autonomy, rights in the modelling industry, or the curiosity behind creative work. Feel free to pop into the Red Witch’s Tea &#38;amp; Chat Room for a natter. I am incredibly grateful to have met such wonderful people along this journey. Let’s keep going and encourage one another. In my next post, I’ll share some interesting and wonderful fragments of memory—stay tuned.</description>
		
	</item>
		
		
	<item>
		<title>線 STRINGS [Chengdu.China.UP_ON]</title>
				
		<link>https://pangjingcreation.com/STRINGS-Chengdu-China-UP_ON</link>

		<pubDate>Fri, 06 Mar 2026 18:22:16 +0000</pubDate>

		<dc:creator>pangjingcreation</dc:creator>

		<guid isPermaLink="true">https://pangjingcreation.com/STRINGS-Chengdu-China-UP_ON</guid>

		<description>
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&#60;img width="3375" height="4219" width_o="3375" height_o="4219" data-src="https://freight.cargo.site/t/original/i/1c816ea128703627791d86c07101632f038056c5e356247f7a20bd27ae878a9d/10.jpg" data-mid="245710421" border="0"  src="https://freight.cargo.site/w/1000/i/1c816ea128703627791d86c07101632f038056c5e356247f7a20bd27ae878a9d/10.jpg" /&#62;
線🧵STRINGS2025 UP-ON INTERNATIONAL LIVE ART FESTIVAL[行動物料]全黑的空間，只亮紫藍Blacklight，一個白毛綫，二十一個洋蔥，一個裝洋蔥的黑袋子，(盡可能的高)的梯子，黑底紅暗花旗袍與高踭鞋，全黑緊身衣，黑蠟燭，火紙。[行動時空筆記]坐在長梯頂上，深呼吸，手拿著洋蔥袋，隨機散落洋蔥，手拿白線球走圈圈，說著粵語的擬音詞，幾圈後把旗袍與高趾鞋脫下，身穿全黑緊身衣，線纏在觀眾手中，在空間不規則地遊走，循序漸進，形成一個巨大的網，穿梭白網，來來回回。跪姿爬在地上擲爛所有洋蔥，邊擲邊大喊一些詞語，刺激的氣味溢出，漸漸佈滿整個空間，爬上梯子，點燃蠟燭，高舉黑蠟滴在右手臂上，最後燃亮火紙作句點。[淺呼吸🫁成都野生自組行為群聚]在現場認識了小海，短時間內籌辦了一次非常即興的聚，佩服高效率的行動力與號召力。戶外空地，老爺爺們悠閑聊天，周圍有很多植物，各人自帶各種物料及器材，有各種樂器、音響、烤盤、酒水食物等，氣氛非常之chill，很喜歡這種臨時野生又原始的聚，很有趣，在同一個時間空間各自做自己，這種(真正)共存的感覺很愉快。感謝相遇！[成都日常碎片式觀察]感謝暢的萬能協助🥰三小時兩人高效率set-up💪動物的種類好多呀😎🐠🐍🐈‍⬛🐕🐈🐩🐀🐓成都火鍋的微辣是我的大辣😂🌶️🌶️🌶️放歌在煙霧中即興起舞✨💃😆新知舊友相聚🩷❤️🧡💛💚🩵💙💜穿過隧道時大聲呼喊合唱🤣🎶🎵最後一天零晨意猶未盡去唱歌🎤🔥💙厚此薄彼之white elephant in the room🙂[UP-ON作品節錄]Carlos Llavata(SPAIN) @carloslavataVichukorn TANGPAIBOON(Thailand) @jonpaikornHU Yingchao (CHINA, Shanghai) @chorin_huLuc HÄFLIGER(Switzerland) @gotgha_geistFrances MEZZETTI(Ireland)DING Ling (CHINA, Shanghai &#38;amp; Luoyang)LI Duo (CHINA, Hangzhou) @worldli_LIU Zheli （CHINA, Ulanhot) @Izlio_kPhoto &#38;amp; Video credit:JingmingSUN Xiaolei@code.3f@cheng_zhiyuan001@nothing_ju_zi@shittiezt@he_lehele@yoshiyayoshimitsu@lzyfing@nullxin_cai@liaixiao@casper11256STRINGS2025 UP-ON INTERNATIONAL LIVE ART FESTIVAL
[Action Materials]A completely black space, lit only by purple-blue blacklight; one white thread, twenty-one onions, one black bag for onions; (a ladder as tall as possible); a black cheongsam with dark red floral patterns and high heels; all-black tight-fitting clothes; black candles; fire paper.[Action Space-Time Notes]Sitting on the top of a tall ladder, taking a deep breath, holding the onion bag, randomly scattering onions; holding the white thread ball, walking in circles while speaking Cantonese phonetic words; after a few circles, remove the cheongsam and high heels, now wearing all-black tight clothes; the thread is wrapped around the audience’s hands; moving irregularly within the space, progressing step by step to form a huge net; weaving through the white net, coming back and forth. On knees, crawling on the ground, smashing all the onions while shouting some words; the stimulating smell spreads, gradually filling the whole space. Climb up the ladder, light the candle, raise the black wax dripping on the right arm, and finally light the fire paper as the finale.[Shallow Breaths 🫁 Chengdu Wild Spontaneous Gathering]Met Xiao Hai on site and shortly organized a very impromptu gathering; admire the high efficiency and mobilizing power. In an outdoor space beside a highway, a ground covered with small gravel; elderly men chatting leisurely; surrounded by many plants and wooden walkways; each person brought various materials and equipment, including musical instruments, speakers, grills, drinks, and food—the vibe was very chill. I really like this kind of spontaneous, wild, and raw gathering; it’s very interesting to be oneself at the same time and space, this feeling of (true) coexistence is pleasant. Thank you![Chengdu Daily Fragmented Observations]Thanks to Chang for all-around help 🥰 two people set up efficiently in three hours 💪So many kinds of animals 😎🐠🐍🐈‍⬛🐕🐈🐩🐀🐓The mild spiciness of Chengdu hotpot is my big spicy 😂🌶️🌶️🌶️Impromptu dancing in the smoke while playing songs ✨💃😆Old and new friends gathering 🩷❤️🧡💛💚🩵💙💜Shouting and singing together loudly through tunnels 🤣🎶🎵On the last day, went for karaoke till dawn, still not satisfied 🎤🔥💙“white elephant in the room”🙂
</description>
		
	</item>
		
		
	<item>
		<title>Cantonese [Xian.China.谷雨行動]</title>
				
		<link>https://pangjingcreation.com/Cantonese-Xian-China</link>

		<pubDate>Wed, 30 Jul 2025 16:14:24 +0000</pubDate>

		<dc:creator>pangjingcreation</dc:creator>

		<guid isPermaLink="true">https://pangjingcreation.com/Cantonese-Xian-China</guid>

		<description>
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	</item>
		
		
	<item>
		<title>Pink Blood Thunder [Asiatopia.Thailand]</title>
				
		<link>https://pangjingcreation.com/Pink-Blood-Thunder-Asiatopia-Thailand</link>

		<pubDate>Wed, 30 Jul 2025 16:14:32 +0000</pubDate>

		<dc:creator>pangjingcreation</dc:creator>

		<guid isPermaLink="true">https://pangjingcreation.com/Pink-Blood-Thunder-Asiatopia-Thailand</guid>

		<description>
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&#38;nbsp;
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Pink Blood Thunder💖粉血雷暴Asiatopia • 2024 • Bangkok • Thailand亞洲烏托邦 • 2024 • 曼谷 • 泰國•[行動時空筆記]頭頂着泰國生產的花朵，一搖一搖地把它們日出，在竹籃裏拿出粉紅火龍果，兩個放在膝蓋下頂着，一個用嘴把它們咬破，慢慢吞食，粉紅色的汁液流出，白色的吊帶裙染成粉紅色，把白色的線球隨機地擲上天花，隨機地掛上掉落，拿在前置在地下上的透明膠片，不停地舞弄搓揉發出聲響，用力地把膠片擠壓擠壓不斷地擠壓，一瞬間停下來，深呼吸，慢慢地深呼吸。•[亞洲烏托邦]-泰國行為藝術節之觀察:ASIATOPIA始於1998年泰國，已有26年歷史。以下是他們的創辦理念：[ASIATOPIA 完全是一場夢想？]「ASIATOPIA 亞洲表演藝術節」於1998年首次舉辦，起初我們有一個願景：我們夢想能舉辦一場國際藝術盛事。我們夢想泰國成為來自世界各地藝術家的匯聚點。我們夢想亞洲的藝術家能在亞洲更多相聚、交流。我們夢想泰國政府會有完善的政策來支持藝術與藝術家。到了第二屆1999年，我們的宣言回應了當時的全球情勢：「在籌辦這屆藝術節的同時，悲劇接連襲來，令我們心痛不已。 我們見證了東帝汶（Timor Leste）獨立公投，心情沉重，擔心會有可怕的事發生。結果真的如此，我們悲痛欲絕，未曾想過情況會比想像中更糟。同時，清邁一間工廠發生化學爆炸，摧毀了兩個村莊，共600戶房屋。台灣發生地震，奪去許多生命。破壞接連不斷。十月時，緬甸駐曼谷大使館遭佔領後，緬甸難民在泰國遭受鎮壓，巴基斯坦也發生軍事政變……這些事件標誌著1999年底亞洲的黑暗時刻。」儘管逆境不斷，亞洲的民主倡議者依然堅持奮鬥。這證明了自由與民主在我們這片土地上仍是重要且迫切的課題。作為藝術家，我們努力爭取在自身社會中表達自由的認可，如同民主所承諾的那般自由。這也是我們對「ASIATOPIA」這個詞語的探索與體會。•曼谷城市日常觀察:好味泰菜，到處行走的蜥蜴與公雞，龐大的花市場、水果市場與批發市場，超舒服正宗的泰式按摩。Jim Thompson House Museum的歷史建築，琳琅滿目的花園，各種木製古董傢俬，收藏藝術品，瓷器、畫作與雕塑。•Special credit: Big thanks to dear Jon @jonpaikorn and amazing twins @anuchit_hemmala &#38;amp; @anucha_oPhoto &#38;amp; video credit:@jeremyhiah@_epdimas@ladyinred_w@alghifahri_jasin@yen.phang@chillpan04AidSanmuDorothree Frank &#38;amp; Ben G. FodorWe are strangers•Asiatopia • 2024 • Bangkok • Thailand•[Action Space-time Notes]Balancing flowers made in Thailand on my head, gently swayed them toward the sunrise. Taking pink dragon fruits out of a bamboo basket, I placed two under my knees to support them. Using my mouth to bite into one, slowly eating it as pink juice flows out. The white suspender dress is stained pink. Randomly tossing white balls of yarn up to the ceiling, letting them hang and fall unpredictably. Holding a transparent plastic sheet placed on the ground in front of me, I continuously twist and rub it to produce sounds. Pressing the plastic sheet forcefully, squeezing it repeatedly. Suddenly stopping for a moment, taking a deep breath, then slowly breathing deeply again.•Asiatopia] – Observations from the Thailand Performance Art Festival:Asiatopia began in Thailand in 1998 and has a history of 26 years.Below is their founding philosophy:[ASIATOPIA WAS&#38;nbsp;A DREAM?]Asiatopia Performance Art Festival, first organised in 1998, and we started…Asiatopia was&#38;nbsp;a dream; we dreamed that we could do an international art event. Wedreamed that Thailand would become another meeting point for artists from around the world. Wedreamed that artists in Asia should be able to meet each other more often in Asia. Wedreamed that the Thai government would have good programs to support art and artists…In our second year in 1999, our statement responded to the global situation, we stated, “ During the organisation of this festival, tragedies struck us at heart. We watched the referendum vote forthe independence of East Timor (Tomor’Este) with our deep sentiment and fearing that some terrible things would happen. It did, and we cried with horror, not expecting it to be worse than we could imagine.Amid all these chemical blast happened in the Chiangmai factory and destroyed 600 houses in 2 villages, earth earthquake hit Taiwan and took many lives… Destruction continued, in October, repression against Burmese refugees in Thailand following the seizure of the Myanmar Embassy in Bangkok, and a military coup in Pakistan… towards the end of 1999, in Asia.Despite all this endless adversity, democratic advocates in Asia still carry on their fight. Thisproves that freedom and democracy are still an issue in our region. As artists, we are struggling for recognition to freedom of our expression in our&#38;nbsp;society, as much as democracy can spell out…This may be part of our discovery of the word ASIATOPIA.
•&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/6d8f24fea62c05ae4eac83d865df2c72e825fdebc5fc3ab48460ddff9ff589d9/3.png" data-mid="236449004" border="0"  src="https://freight.cargo.site/w/1000/i/6d8f24fea62c05ae4eac83d865df2c72e825fdebc5fc3ab48460ddff9ff589d9/3.png" /&#62;</description>
		
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		<title>兩位呀！唔該！Table for two</title>
				
		<link>https://pangjingcreation.com/Table-for-two</link>

		<pubDate>Fri, 07 Mar 2025 11:53:46 +0000</pubDate>

		<dc:creator>pangjingcreation</dc:creator>

		<guid isPermaLink="true">https://pangjingcreation.com/Table-for-two</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/ff47de28535879848873a1d64aad4d2403d3ee2e47428d1aca631bdce5570e55/1.png" data-mid="227838344" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/ff47de28535879848873a1d64aad4d2403d3ee2e47428d1aca631bdce5570e55/1.png" /&#62;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/21f3c68e1be5502b1ba51177a22d859491b0c7763f742c30722514398c8a071d/2.png" data-mid="227838345" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/21f3c68e1be5502b1ba51177a22d859491b0c7763f742c30722514398c8a071d/2.png" /&#62;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/921b54a9c18b4a082216fac9d9e577581c20fb9f3aa2bd4a23638e605bc1f415/3.png" data-mid="227838346" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/921b54a9c18b4a082216fac9d9e577581c20fb9f3aa2bd4a23638e605bc1f415/3.png" /&#62;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/5ff2a418f3f1eadbeb673d06639f74b87e99509195eac11332122857766ef12c/4.png" data-mid="227838347" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/5ff2a418f3f1eadbeb673d06639f74b87e99509195eac11332122857766ef12c/4.png" /&#62;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/7ea2aa5ca3b75451a3d876950aabd507c800a84b4c48deede4987fbaa3180a54/5.png" data-mid="227838348" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/7ea2aa5ca3b75451a3d876950aabd507c800a84b4c48deede4987fbaa3180a54/5.png" /&#62;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/6e95c2357ade3f1977fcaa02c3c5080525e58131e5c9603d4d01563bca49b5d5/6.png" data-mid="227838349" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/6e95c2357ade3f1977fcaa02c3c5080525e58131e5c9603d4d01563bca49b5d5/6.png" /&#62;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/9872eb29012b2cdac31f724a8c320dd17e35b7ced9746bd08180e1092a2d39e7/7.png" data-mid="227838350" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/9872eb29012b2cdac31f724a8c320dd17e35b7ced9746bd08180e1092a2d39e7/7.png" /&#62;
[兩位呀！唔該！Table for two]Duo Performance by BBB Johannes Deimling &#38;amp; Jing Pang@bbbjohannesdeimling@pang_jing@performance_art_furnace_hk•行動時空筆記：這場Performance 包含了我們的相處和對話，關於中西文化之異同、童年往事、儀式的應用、政治狀況、日常生活與城市觀察等。我們建構以下一連串的行動順序，運用熔爐已有的物料去拼貼成這場Performance，這種Creative Approach 是我首次應用的，Johannes 的方法準確到位，猶如一幅行動拼貼畫。過往，我會先建立一個Structure，處理好空間與物料的關係後，在長時間中遊走，即興發生的行動佔很大比例，風險與未知由此發生，結束時如像一場風暴經過的混沌。在德國時，他問了我一個問題：「那麼是不經意的?還是Designed chaotic situations?」這個問題仍思考至今，仍在路上。行動順序列表1。縫紉 + 草藥足浴2。杯子印顏料在(1.自己)(2.對方心臟位置)3。米造的面粉(Johannes: 撒上臉)(Jing: 印上臉)4。解開葉子5。抬起枱轉動行走在葉子上6。兩人扣起右手對方的衫鈕食花生(Johannes: 用筷子)(Jing: 叉)7。拖鞋沾水打櫈8。重複點蠟燭再吹熄(致敬平平）9。植物綁頭上10。火紙Table for two! Table for two
Duo Performance by BBB Johannes Deimling &#38;amp; Jing Pang@bbbjohannesdeimling
@pang_jing
@performance_art_furnace_hk-Action Action [Time &#38;amp; Space] &#38;nbsp;Notes:
This performance involves our encounters and dialogues about the similarities and differences between Chinese and Western cultures, childhood memories, the use of rituals, political situations, daily life and urban observations.We constructed the following sequence of actions, using the materials already in the furnace to collage the performance. This Creative Approach is the first time I have applied it, and Johannes' method is accurate, as if it were a collage of actions.
In the past, I would create a Structure, deal with the relationship between space and material, and then wander around for a long period of time, improvising a large proportion of the action, taking risks and unknowns, and ending up like a storm passing through the chaos. When I was in Germany, he asked me a question: ‘So is it unintentional? Or is it Designed chaotic situations?’ This question is still on my mind, and I'm still on the road.
Action Sequences:

1. Sewing + Herbal Footbath
2. cup printed with colour on (1. self) (2. other person's heart)
3. rice flour (Johannes: sprinkle on face) (Jing: print on face)
4. Release the leaves
5. Lift the table and walk on the leaves.
6. Both of you button up your right hand and eat peanuts.(Johannes: chopsticks) (Jing: fork)
7. Dip slippers in water and hit the chair
8. Repeatedly light the candles and blow them out again (in honour of Ping Ping)
9. Plant tied to the head
10. fire paper
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/8c9e2fc8d4b1ea061f7acd77bbcd5dfacc05a46aef51a74f85d18640305e5ece/8.png" data-mid="227838351" border="0"  src="https://freight.cargo.site/w/1000/i/8c9e2fc8d4b1ea061f7acd77bbcd5dfacc05a46aef51a74f85d18640305e5ece/8.png" /&#62;緣起：在開始MFA的課程時，渴求一切與Performance Art有關的知識與創作方法，偶然地在網絡上看到PAS(@performance_art_studies) 的online Class，抱著半信半疑的心上了第一次網課，因為Performance Art始終是一種講求現場性的當下發生，思考到底電腦世界中的虛擬空間如何能實現呢？最後，我上了三期的網課，每一次也有新的體會，網課上的同學都來自世界各地，大家都非常踴躍、開放及積極地參與課堂。(之後再出Post分享關於網課的感想!)MFA畢業後，2023年的春天，終於有機會見到真人，面對面的相處真的是難以取替，那趟歐洲之旅獲益良多。在德國Leipzig 參加了第82屆的PAS Performance Class後，邀請Johannes和Monika來港開課，同時也誠邀他與我創作一場Duo。Johannes是一個自學成才的視覺藝術家，學習起源自他成長的小鎮圖書館，其視覺語言系統準確分明，作品核心是創造視覺圖像[Agierte Bilder]，有意識地迴避直接邏輯，允許隱喻和詩意的感知。圖像創造是運用一種藝術自由，與沉思之間開闢哲學空間。他的圖像宇宙旨在轉換感知，並整合了廣泛的當下議題與思考。•關於語言的反思：在PAS#93香港課時，大家都用英文溝通，都不是自己的母語，在對話時也有出現到Lost in Translation 的狀況，但這並非一件負面的事。我們都發現，這不單跟語言有關，而是關乎於語境(Context)與文化習慣(Cultural Behaviour)。我回想起在德國時，其實有時候也並非100%理解課堂的英文指令，會出現半猜半明的情況，但當觀察到其他同學行動時，就會更加理解，這與身體感知與行動方式去註釋習作的目標有關，而非全依賴語言。Performance Art有其專屬的語言詞庫，由肢體動作所組成的「字母表」，就像摩斯電碼一樣，但不需要對視覺效果進行解碼，如詩一樣，「字」的組成背後有多層含意，反轉對五感約定俗成的「基本」定義。那天，我們到美彤家作客，與Deimling夫婦分享書法的方法，以及象形文字的源頭，以天地人事物的「形」為始，也聊到語言和文字的學習方式也對思維模式有著密切的關係。•日常城市觀察：Johannes 與Monika住在灣仔的酒店，他們說每一天都被這個城市mind-blowing，香港人的速度與效率極高，陝小的空間訓練出香港人的韌力，想像的實現使命必達。上課期間，我們一同在窗邊觀賞香港搭竹棚之絕技。每次再路上看到，我定必駐足觀看，每每被這技術的神奇之處所驚歎。竹的韌性和可塑性如像一個屬於此時此地的Metaphor。此外，我們也參加了美彤的新書發佈會，位於中環的法國書店，空間不大，觀眾就站坐於書櫃之間觀看，這場活動也令Johannes 感到莫名驚喜。香港人適應力之強，與有限城市空間下的生存之道有重要關係。•⚪️: “Are you happy?”🔴: “I am veryyyyyyy happy!!!!!!!”
感謝這跨越千萬里的相識相知✨
•
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/57a19bf5efbf76514e3b4ee2c096034b860cf047d102981ca441804b03b8bc7c/9.png" data-mid="227838352" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/57a19bf5efbf76514e3b4ee2c096034b860cf047d102981ca441804b03b8bc7c/9.png" /&#62;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/e530ee32c76da37e8b9b16aeeaa056f8db5924c3720fc002b390d8aedc0f66f3/10.png" data-mid="227838353" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/e530ee32c76da37e8b9b16aeeaa056f8db5924c3720fc002b390d8aedc0f66f3/10.png" /&#62;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/c62b9fd96bb76cb8bd09bcbe9a8fcddea612623429e080b22dd17ef5dc20cb42/11.png" data-mid="227838354" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/c62b9fd96bb76cb8bd09bcbe9a8fcddea612623429e080b22dd17ef5dc20cb42/11.png" /&#62;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/554649cb0cbe082a220146cb06e32c5a6c82f0395f1df708851b4c4629ad8c72/12.png" data-mid="227838355" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/554649cb0cbe082a220146cb06e32c5a6c82f0395f1df708851b4c4629ad8c72/12.png" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/0e2aff2523f0b4f9cba8583bbfb0c45f3fda0cddd2c6e650afe4d362a7171bcd/13.png" data-mid="227838356" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/0e2aff2523f0b4f9cba8583bbfb0c45f3fda0cddd2c6e650afe4d362a7171bcd/13.png" /&#62;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/11fe6303fa11358ce5634fab6e782880f4616dd9d1c10c834acd7edb80443207/14.png" data-mid="227838357" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/11fe6303fa11358ce5634fab6e782880f4616dd9d1c10c834acd7edb80443207/14.png" /&#62;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/f3045f7099e47c67eddcc1b5cf2313afeb535303c0c87c0e3ba255498e7f9bcb/15.png" data-mid="227838358" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/f3045f7099e47c67eddcc1b5cf2313afeb535303c0c87c0e3ba255498e7f9bcb/15.png" /&#62;&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/bc3a650afcaaa46e16688de79211e2eeb9ed3e3cdb1b35e4caa2500e3542360b/16.png" data-mid="227838359" border="0" data-scale="24" src="https://freight.cargo.site/w/1000/i/bc3a650afcaaa46e16688de79211e2eeb9ed3e3cdb1b35e4caa2500e3542360b/16.png" /&#62;Origin of this duo performance:
When I started my MFA programme, I was thirsty for all the knowledge and creative methods related to Performance Art, and by chance I came across the online class of PAS (@performance_art_studies) on the internet.I took my first online class with a half-believing heart, because Performance Art is always a kind of live, present occurrence, and I wondered how it could be realised in the virtual space of the computer world.
Finally, I took three online classes, and each time I had a new experience. The students in the online class came from all over the world, and all of them were very enthusiastic, open and active in the class. (I'll share my thoughts about the online class in a post later!)
After I graduated from MFA, in the spring of 2023, I finally had the chance to meet real people. It was hard to replace the face-to-face meeting, and I benefited a lot from the trip to Europe. After attending the 82nd PAS Performance Class in Leipzig, Germany, I invited Johannes and Monika to come to Hong Kong to give a class, and at the same time, invited them to create a Duo with me.
Johannes is a self-taught visual artist whose studies originated in the library of the small town where he grew up, and whose system of visual language is precisely defined. At the core of his work is the creation of visual images [Agierte Bilder], which consciously eschews direct logic and allows for metaphorical and poetic perception. The creation of images is an exercise in artistic freedom that opens up a philosophical space between contemplation. His pictorial universe aims to transform perception and integrate a wide range of current issues and reflections.•Reflection on Language:

In PAS#93 Hong Kong, we all communicated in English, which is not our mother tongue, and there were cases of Lost in Translation in our dialogues, but this is not a negative thing. However, this is not a negative thing. We all found that this is not only related to language, but also to the context and cultural behaviour.When I think back to my time in Germany, there were times when I didn't understand 100% of the English instructions in the classroom, and I would half-guess, half-understand, but when I observed other students' behaviour, I understood better that it was related to body perception and the way of action to explain the objectives of the work, rather than relying on language.
Performance Art has its own language vocabulary, an ‘alphabet’ composed of physical movements, like Morse code, but without the need to decode the visual effects. Like a poem, there are multiple layers of meaning behind the composition of ‘words’, reversing the ‘basic’ definition of the five senses that has been commonly agreed upon.On that day, we visited Mei Tong's home, where we shared with the Deimling's about calligraphy and the origins of hieroglyphics, which begin with the ‘shapes’ of things in the world, and we also talked about how the way we learn language and words is also closely related to our thinking patterns.•
Everyday urban observation:Johannes and Monika stayed in a hotel in Wan Chai and said that every day they were mind-blowingly impressed by the city, the speed and efficiency of the Hong Kong people, and the toughness of the Hong Kong people who are trained in a small space to imagine what they can achieve.
During class, we watched the Hong Kong bamboo scaffolding technique from the window. Every time I saw it on the road, I would stop to watch and was always amazed by the magic of this technique. The toughness and malleability of bamboo is like a Metaphor for this time and place.
We also attended the launch of Meitung's new book, which was held in a small space in a French bookstore in Central, where the audience stood and sat between the bookcases, an event that also surprised Johannes. The adaptability of Hong Kong people has a lot to do with their ability to survive in the limited space of the city.•⚪️: ‘Are you happy?’
🔴: ‘I am veryyyyyyyyy happy !!!!!!!’

Thankful &#38;amp; gratedful for all the encounters across the miles ✨
•
</description>
		
	</item>
		
		
	<item>
		<title>Life Model Experience: Drawing &#38; Painting &#38; Photography</title>
				
		<link>https://pangjingcreation.com/Life-Model-Experience-Drawing-Painting-Photography</link>

		<pubDate>Sun, 02 Dec 2018 15:01:20 +0000</pubDate>

		<dc:creator>pangjingcreation</dc:creator>

		<guid isPermaLink="true">https://pangjingcreation.com/Life-Model-Experience-Drawing-Painting-Photography</guid>

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